Critiquing Comics #209: “Producing the End of the World”

Producing the End of the World

Anthologies have traditionally been something of a bear to critique, especially if they’re not very good. Producing the End of the World has solved that problem — both by sending us a media preview with only four of the collection’s stories in it, and by, well, being very good. Tim and Adam discuss a book containing some of the more fun stories about the end times that we’ve seen.

Producing the End of the World on Kickstarter

#713 “Second Coming” Comes Back

Second Coming 2Mark Russell & Richard Pace’s Second Coming stirred up controversy before it even came out, because it was a comic book pairing Jesus Christ with a superhero. But once it did hit the stands, the reviews were mainly positive, including on this podcast. Now the second six-issue “season” of the comic has wrapped up, and Will Weaver again joins Tim to consider how Second Coming: Only Begotten Son stacks up against the original.

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Critiquing Comics #208: “Amazing Tales” #4

Amazing Tales 4

David Dye has been one of our favorites here on Critiquing Comics; Tim and Mulele even interviewed him once. He’s back now with Amazing Tales #4, in which he takes a turn toward horror. Jason joins Tim to brave the creepy goings-on.

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#712 San Diego Comic-Con Begins

SDCC begins

San Diego Comicon has always been about more than comics! That’s the contention of producer and journalist Mathew Klickstein, who joins Tim this week to tell us all about his audio documentary podcast “Comic-Con Begins!” Mathew talked with dozens of people who were there at the birth of the con and celebrities who have appeared there over the years, and reaches back decades before SDCC’s birth in 1970, to the earliest rumblings of geekdom. He’ll also give us some idea of what’s in the future for this history project.

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“Guardians of the Galaxy” (2014)

Guardians of the Galaxy“Tim Catches Up with the MCU” continues with our look at “Guardians of the Galaxy.” How does it rank in Tim and Mulele’s MCU viewing so far? Also, are we each using different criteria to evaluate these films? And, oh yeah, these films have music – how do we feel about it?

(Originally published on Patreon August 17, 2019)

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#609 “Saga” (a non-gushing review)

Saga

FLASHBACK! Saga, by Brian K. Vaughan and Fiona Staples, has been a bestselling book for Image Comics for years, and fawned over by critics and readers alike. While Emmet finds a fair number of things to like about it, hardly anything about it is to Kumar’s taste. For this episode, both of them have read all the issues published to date — 54 of them!– and present this somewhat out-of-the-mainstream review.

(Originally published October 1, 2018)

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#711 Tom Scioli’s “Kirby”

Kirby-Scioli

Tom Scioli’s Jack Kirby: The Epic Life of the King of Comics is a bio in comics form and written in the first person, from Kirby’s perspective. Why did Scioli handle it that way, and does it work? Why does Kirby look like a Tezuka character surrounded by normal humans? Was the tension between Lee and Kirby a case of Stan messing up Jack’s story, or modifying it to better connect with the reader? Tim and Emmet discuss those questions, some of the many revelations this book brought us, and more.

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Critiquing Comics #207: “Texas Tracts”

Texas Tracts, by Rachelle Meyer, is a series of three short comics, modeled in format after the Christian evangelical “Chick Tracts” by Jack Chick. Rachelle’s well-drawn comics, in contrast, reflect doubts about things she was taught in Catholic school as a kid in Texas. Tim and Mulele discussed part one, Holy Diver, back in January; this time, Tim is joined by Ryan Cecil Smith in discussing the series overall, including the latter two volumes Joy Ride and Rainbow Collie.

Rachelle’s Kickstarter

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“Captain America: The Winter Soldier” (2014)

Winter Soldier
In this episode of “Tim Catches Up with the MCU”, Tim and Mulele discuss the political thriller “The Winter Soldier”.

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#710 Naoki Urasawa’s “Pluto”

Pluto

You’re probably aware of the Osamu Tezuka character Astro Boy (called Tetsuwon Atom in Japan). Starting in 2003, Naoki Urasawa (the creator of Monster) began his own take on a particular Astro Boy story in his series Pluto, as a murder mystery of sorts. The story includes plenty of robots, but is more concerned with portraying emotion and making a statement about war than any Asimovian rules about robot behavior. Does that approach doom the project? Kumar and Jordan review.

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