Critiquing Comics returns! Tim and Mulele dust off their neglected pile of submissions and look at Terra Kaiju, by Joe Badon and P.B. DeBerry — a comic with Japanese (and Chinese?) ideas, run through a Western filter.
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Why draw in a manga style? Why are zombies popular? How can you represent the comics creation experience in a card game? These questions and more as Tim interviews Jason Thompson, author of Manga: The Complete Guide, the Web comic The Stiff, and Kickstarter project card game Mangaka.
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American comics fans were introduced to Ken Niimura back in 2010, when his art appeared in the Image miniseries I Kill Giants, written by Joe Kelly. Since then, Ken’s work has been seen in some short Spider-Man stories, and more recently, his book Henshin, which just came out in English from Image.
He currently lives in Tim’s stomping grounds of Tokyo, so this week it’s an in-person interview with Ken, about why I Kill Giants was in black and white, his story goals and storytelling techniques in Henshin, and much more.
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It’s one thing to have sex with a robot. What if you actually started having feelings for your A.I. S.O.? What if you started preferring the robot to your actual human partner? That’s the situation in Jess Fink‘s sexual, but also romantic and even moving, graphic novel Chester 5000 xyv. Jess discusses the book with Tim in this episode, as well as her sci-fi autobiographical story We Can Fix It, getting a book-jacket blurb from Alan Moore, making comics for kids, and more.
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Stef Marcinkowski’s Sarah Zero is an over-the-top, Web-browser-shaped comic that he developed by trying to mash up advertising, marketing, comics, and film. The comic is heavy on interpersonal relationships and Internet culture.
This week Stef tells Tim about his process, getting the comic right when life keeps getting in the way, struggles with self-promotion, and more.
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Is there “work for hire” in Japanese comics? Yes and no. Nao Yazawa was hired as the artist for Wedding Peach, a manga published in Shogakukan’s Ciao magazine from 1994 to 1996. However, as is typical in Japan, she and writer Sukehiro Tomita co-own the copyright.
In this episode, she explains the details of this arrangement to Tim, along with much more on the development and business of the strip, sexy costumes, why manga creators are left out of the management of the anime adaptation, teaching at a manga school, and more.
Nao’s Web comic Go Go Nao-P!
Nao’s 2002 Wedding Peach site
See more photos after the jump…
Continue reading #434 Nao Yazawa
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At the International Comics Festival in November, Tim picked up A Cat Named Tim and Other Stories by John Martz. It’s a whimsical book aimed at kids that plays with several devices that only work in comics. It’s also another example of the convergence of comics and children’s picture books that we noted on this podcast years back with Mo Willems.
This week Tim talks with John about this convergence, as well as the challenges of making material aimed at kids, inspiration from Jacques Tati and Charles Addams, storyboarding, Destination X, and, oh yeah, Popeye loops!
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NimProd.com has sent us the first issues of two Western books, “Bang Bang Lucita” and “Snake”. Both are fairly heavy on fan service for 21st-century straight guys, anachronisms be damned, with lots of skin showing on the shapely titular (pun intended) heroines. Both ladies are drawn with care, but what’s getting short shrift here? Tim and Mulele saddle up and go take a look-see.
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What happens when the computer that routes calls in a call center takes on a mind of its own? That’s the setup for the first story arc of Back Office, a Web comic by Mark Egan now available as a book. This week Tim asks him about his inspiration, his adopted home of Norway, and more.
Our critique of Back Office from 2013
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Tim and Mulele look at Headshrinker’s Press Presents #1, an anthology book with stories of various genres, stories to amaze and confound. Especially confound.
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