#670 Moore and Burrow’s “Providence”

Seemingly every time a horror comic comes up on our show, it seems to have some kind of connection to H.P. Lovecraft. In this case, it’s Alan Moore and Jacen BurrowsProvidence, part of the Lovecraftian “Cthulhu Mythos.” Kumar, Emmet, and Dana discuss whether you need to have read Moore’s other Lovecraft-inspired comics (or any Lovecraft at all) before reading Providence, how Lovecraft’s work contrasts with Dracula stories, Lovecraft’s problematic personal views, and more.

Critiquing Comics #176: “Miskatonic High”

Miskatonic High

This time our comic is Miskatonic High, by Mike Shea and Ryan Mendoza. The comic features high school students who have creepy adventures. If you’re into H.P. Lovecraft, you’ve probably recognized that this comic is referencing his work. Does the comic do enough to bring the non-Lovecraft-fan onboard?

Critiquing Comics #175: More from David Dye

Cut Down

This time we look at some of the latest work by one of our favorites, David Dye: The forthcoming Bush Fire, and two stories written by Roger Stitson, Tales of the Blue Sage and Cut Down.

#666 “Animal Man”: Grant Morrison Plays God

Animal Man

Grant Morrison‘s DC Comics debut in 1988 was a run on Animal Man. Originally meant to be a four-issue mini, the series became an ongoing, prompting Morrison to turn it into a discussion of spirituality and the nature of reality — which, if you’re a comics character, means that you live your life enclosed in panels while watched by thousands of people.

Tim is joined by Matthew Brake, series editor of the Theology and Pop Culture book series, to examine the philosophy of this classic late-’80s run.

Critiquing Comics #174: “Caged Birds”

Caged Birds

A couple of years back, we critiqued Caravaggio: A Light Before the Darkness, written by Ken Mora. This time, Ken is here on the show, talking to Tim about his latest (with artist Gianluca Testaverde), Caged Birds. Then, Tim and Mulele critique the first two issues.

Critiquing Comics #173: “Weasel”

Starting in 1999, Dave Cooper (accompanied at first by Patrick McEown) had a collection of work published by Fantagraphics as a magazine called Weasel. The magazine featured Cooper’s story “Ripple”, later published in one volume. “Ripple” is a disturbing story, masterfully told; we hope Cooper is not lying that it’s “not autobiographical,” but for fiction it’s remarkably detailed and heartfelt. In this episode, Tim and Mulele explore the first five issues of Weasel.

WARNING — ADULT CONTENT

#664 Matt Baker’s Art of Glamour

Matt Baker

Matt Baker, one of the earliest African-American comics artists, worked in the 1940s and ’50s mainly on what’s known as “good girl” art. Good girl art went away with the comics code, and unfortunately Baker passed away young in 1959 and never got a chance to shine in the Marvel age. English prof Chris Gavaler joins Tim to talk about Baker’s crazy page layouts, what we do and don’t know about him, the what-ifs of Baker in the ’60s, and more.

Chris’ blog post about Baker’s layouts

CBLDF on Matt Baker

Matt Baker and the Art of Glamour on Amazon

#663 Moon Knight Begins

It’s been some time since Moon Knight came anywhere close to being considered a top-tier Marvel character in terms of popularity. But in the early ’80s, he was riding high in a popular series by Doug Moench and Bill Sienkiewicz. In this episode, Tim and Paul look at the runup to that series, when the character appeared in solo stories and teamups in various titles, as chronicled in the Marvel Epic Collection line’s Moon Knight: Bad Moon Rising.

Critiquing Comics #172 “Adventures of God”

All comedy comics about God are not created equal! Teo and Corey’s Adventures of God is funny at times, but does it measure up to the hilarious, irreverent Holy F*ck? Comparisons aside, does it live up to its potential? Tim and Mulele discuss.

Also: Is Deconstructing Comics doing enough to promote diversity in comics?

#662 Warren Ellis’ Three Pieces of ‘Watchmen’

Black Summer

Warren Ellis’ Black Summer, No Hero, and Supergod are three separate stories, but if you put them together you’ve kinda got all the elements of Alan Moore’s Watchmen. But was Ellis really writing these books in response to Marvel’s Civil War? Kumar and newcomer Jordan evaluate all three books.