Sometimes comics adaptations of movies can have as much, or more, significance than the films themselves. Marvel‘s 1984 adaptation of David Lynch‘s Dune film, for example, marked Bill Sienkiewicz‘s upgrade from the realistic art he did on Moon Knight, to the mind-blowing, weird work he became known for on New Mutants. It’s also arguable that Ralph Macchio‘s script is better than that of the film.
Likewise, Topps‘ 1992 adaptation of the Francis Ford Coppola film Bram Stoker’s Dracula, written by Roy Thomas, marks a turn for artist Mike Mignola from Batman to more supernatural work, leading straight into his magnum opus, Hellboy.
Kumar and Jordan, patiently awaiting the delayed Australian release of the new Dune film, decided to indulge their obsession by doing this week’s episode, discussing both films.
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How often do you hear of two creators at the top of their medium, who set out to create their “magnum opus” and never complete it? Big Numbers is a famously unfinished comics project by Alan Moore and Bill Sienkiewicz from 1990. The theme of the project seemed to be chaos theory, symbolized by the fractal Mandebrot set (shown at right).