Yugata, I’ve got a question…

Actually, several questions. I’ve become a follower of Yugata’s career since meeting her at the massive Comic Market (“Comiket”) event in Tokyo last December. At that event and also at Comitia in May, I bought some of her work. The juxtaposition of cute high school girls and creepy insects is interesting, but the main attraction is not so much the subject matter as that it’s just drawn and colored so beautifully. This is a lady with real talent.

Silverfish girl

I feel I’d like to show characters who are both scary and cute. Putting horror elements together with cute ones, I think I can create something new and interesting. — Yugata

Stunned that this twentysomething artist is not already the toast of the Tokyo manga world, I’ve been wanting to spread the word about her. I first inquired about doing an interview in January. She has a lot going on, but finally found some time to sit down with me on June 21, 2015, in the Nakano area of Tokyo. What follows is a transcript, translated from Japanese and edited for length and clarity.

(Note: “Yugata” is a pen name; as is not unusual in Japan, she doesn’t put her real name on her work, at least in part because moonlighting is frowned upon. She also declined to let me take a photo of her; it’s your loss, I have to say.)

Working for a Living

DCP: Is making comics your job?

YUGATA: Well, I really want it to be my job, and lately I’ve been getting some things published in magazines. Continue reading Yugata, I’ve got a question…

#454 Kumar Across Canada

Kumar at ECCE Kumar reports on the three comics shows he attended while in Canada last month: Toronto Comic Arts Festival (where he spoke on a manga translation panel), East Coast Comics Expo (where he had a table), and Vancouver Comic Arts Festival. (Click below for photos)
Sithra Then Tim and Mulele discuss Jason Brubaker’s “Sithra: Book One”. Brubaker recently quit DreamWorks — yes, that’s right, QUIT DREAMWORKS — to follow his muse, which prompts Tim and Mulele to think about their own career hopes, in comics or otherwise.

Continue reading #454 Kumar Across Canada

#453 Tokyo Artists Talk, vol. 1

Nao and AngeloNao Yazawa and Mokutan Angelo join Tim in what will hopefully be the first in a series of group discussions with Tokyo-based comics creators! Topics include Tokyo’s annual International Comics Festival, comics in Brazil, things an artist asks the audience to overlook, effects of traditional Japanese drama on manga and anime, and more!

Critiquing Comics #070: Terra Kaiju

Terra KaijuCritiquing Comics returns! Tim and Mulele dust off their neglected pile of submissions and look at Terra Kaiju, by Joe Badon and P.B. DeBerry — a comic with Japanese (and Chinese?) ideas, run through a Western filter.

#451 Frank Santoro and comics geometry

PompeiiThis week, an interview with Frank Santoro, who writes for the Comics Journal, teaches comics creation (mostly through the Web), and has published several graphic novels, including Storeyville and Pompeii. We discuss using geometry to design a comics page, the artists he draws attention to on his Comics Workbook page, the reason Pompeii is in such a rough drawing style, and more.

#448 “A Drifting Life”: Memoir and manga history

A Drifting LifeYoshihiro Tatsumi, although he was a somewhat influential figure in the manga of the 1950s and ’60s, is largely forgotten in Japan today. However, within the past 10 years he has gained some belated fame in the West, thanks largely to the efforts of Adrian Tomine and Drawn & Quarterly.

Tatsumi passed away last month, prompting Tim and Kumar to finally pull his comics memoir (which also includes considerable amounts of 1950s manga history) A Drifting Life off the shelf and do a review! And here it is.

#443 Jason Thompson: Teen angst, zombies, and mangaka

The Stiff

Why draw in a manga style? Why are zombies popular? How can you represent the comics creation experience in a card game? These questions and more as Tim interviews Jason Thompson, author of Manga: The Complete Guide, the Web comic The Stiff, and Kickstarter project card game Mangaka.

#441 JM Ken Niimura & “Henshin”

HenshinAmerican comics fans were introduced to Ken Niimura back in 2010, when his art appeared in the Image miniseries I Kill Giants, written by Joe Kelly. Since then, Ken’s work has been seen in some short Spider-Man stories, and more recently, his book Henshin, which just came out in English from Image.

He currently lives in Tim’s stomping grounds of Tokyo, so this week it’s an in-person interview with Ken, about why I Kill Giants was in black and white, his story goals and storytelling techniques in Henshin, and much more.

#439 Jamie Lynn Lano, Princess of Tennis

Princess of Tennis

Ever wondered what it would be like to work in a manga studio in Japan? Jamie Lynn Lano got her chance in 2008 when she was hired by Takeshi Konomi to be part of his team for the Prince of Tennis sequel. Recently she’s published a book about her experience, and this week she talks about what brought her to Japan and how she got hired, cultural differences, drawing speed lines and tennis shoes, and much more.

#437 “Real” is a slam dunk

real_coverSports have rarely been subject matter for comics in the US; perhaps comics’ inherent static-ness has seemed antithetical to an activity with so much movement. But Japan has seen comics about various sports, and some of them have been quite popular, even iconic.

Takehiko Inoue’s Real is not only about basketball, but about physical handicaps, relationships, and more. Kumar and Ilango find a whole lot to like about it — including the satisfying ways in which it translates sports action to the comics page.