#463 Bat in Time

Is this the sixties, or 2039?

Batman Year 100In a time without superheroes, Batman sightings are reported. But isn’t he an urban legend? Paul Pope brings his unique, inventive style to the Batman of 2039 in Batman Year 100. While new characters stand in for Robin and Oracle, is there a reason there’s no Alfred analogue? Why do Paul Pope characters have big lips? Tim and Brandon discuss this and more.

Batman '66: The Lost EpisodeFrom Batman 2039, we move to Batman 1966! When production of the Adam West Batman series was gearing up, Harlan Ellison (writer of the Star Trek episode “City on the Edge of Forever”, and much else of note) submitted a treatment for an episode featuring Two-Face. While the treatment was accepted, it never made it to the script stage. Finally, in 2014, DC released a comics adaptation of this story, Batman ’66: The Lost Episode, scripted by Len Wein and drawn by Jose Luis Garcia-Lopez (cover by Alex Ross). Does it feel like the show? Who might have played Two-Face? What does this book tell us about the differences between making a TV show and making a comic? Tim and Paul slide down the Batpoles for a closer look.

#462 Usagi Yojimbo

Usagi YojimboOriginating out of the same ’80s black-and-white/anthropomorphic boom that brought us the Ninja Turtles, Usagi Yojimbo is one of the few comics of that batch that are still going today. Stan Sakai’s work combines historical drama, understated violence, light comedy, and even some explanations of 17th century Japanese culture — and he can pack a surprising amount of story into a few pages. Tom Spurgeon joins Tim and Kumar to talk about the long-eared samurai.

#461 The Legend of Andy Warner

The Legend of the BunnymanLast year at the comics journalism panel discussion in San Francisco, we met Andy Warner, whose work has appeared mostly on newsy Web sites. This week, Andy fills us in on how he gets freelance work with these sites. Also, the golden age of US newspaper strips, time management, the need for more support for comics (and ALL media), and… the Legend of the Bunnyman!

#460 Poe-faced Corben

PoeRichard Corben has repeatedly adapted the works of Edgar Allan Poe — in fact, he’s drawn some of the same stories several times! Most recently he’s done the work collected in Dark Horse’s Edgar Allan Poe’s Spirits of the Dead.

How do his different versions of such works as The Fall of the House of Usher compare to each other? How has Corben enhanced Poe’s stories? Is reading Poe adapted as a comic a substitute for straight-up reading Poe? In general, is it harder to be scary in comics compared to other media? Kumar and Dana discuss.

#459 Yokohama Comics Chat

Chris Taylor, James StaceyThis week Tim travels just south of Tokyo to Yokohama to meet up with Chris Taylor (“Sketchfro”), creator of Relic Hunter: Riven, and James Stacey of Black Hook Press, which publishes Japanese translations of US and UK graphic novels. How do you prepare for conventions? Did you do comics differently back home? What’s different about tabling at German comics events? Why did Chris get in an argument with Archie Comics? That and more!

#458 Lucy Knisley Processes Her Thoughts

An Age of LicenseWhen doing an autobiographical comic — a memoir, a travelogue, whatever — one problem to consider is how the people around you feel about appearing in your comic, especially if it’s getting published! This week Tim talks with Lucy Knisleyauthor of many such comics, including An Age of License — about this problem, as well as doing art for a living without losing the joy, getting career advice from Lynda Barry, and much more.

Critiquing Comics #075: Viking Sky Kings

Viking Sky KingsMichael Bangert’s Viking Sky Kings features a guy looking for work to support his wife and child. Each scene is a slice of life… but maybe a bit too thinly sliced. How do these slices fit each other? The site navigation of this Web comic is not helping matters… Tim and Mulele try to piece things together.

#457 Tokyo Artists Talk, vol. 2: Stop worrying, keep drawing

Grace, Yu, PeiWhat are some advantages and disadvantages of comics as a medium? How can you show lack of motion in a comic? Is the lack of sound in a comic ever an advantage? How do you keep yourself going when you’re afraid that your work isn’t good enough? This and more this week with three Tokyo-area artists: Grace Mineta, who’s having considerable success with her Texan in Tokyo comics and YouTube channel: Pei-in Wu, a Taiwanese artist who’s juggling comics with a day job; and Yu Ohmura, who self-publishes comics about his travel experiences.

Some samples of Yu Ohmura work:
YuOmura01

On the left side of the photo below is the girl falling in the snow, described by Yu during our discussion of showing movement (or lack thereof)

YuOmura02

#456 Dakota McFadzean: What’s eating him?

Don't Get EatenThe daily strips on Dakota McFadzean‘s site are darkly humorous, or sometimes just dark. (Folks gets eaten!) On this week’s show, Dakota talks about how doing daily strips has helped him as an artist, surviving Cartoonist Boot Camp at the Center for Cartoon Studies, why kids stop drawing at a certain age (and why we should encourage them not to stop!), and more.

Critiquing Comics #074: Holy F*ck

Holy F*ckA ribald, drug-using, bi-sexual Jesus who hangs out with Satan and a gun-toting nun — together they’re out to save Earth from the apocalypse! If this sentence titillates rather than offends you, Tim and Mulele have good news — the execution is as good as the concept in Nick Marino and Daniel Arruda Massa’s “Holy F*ck“!