Why draw in a manga style? Why are zombies popular? How can you represent the comics creation experience in a card game? These questions and more as Tim interviews Jason Thompson, author of Manga: The Complete Guide, the Web comic The Stiff, and Kickstarter project card game Mangaka.
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Stef Marcinkowski’s Sarah Zero is an over-the-top, Web-browser-shaped comic that he developed by trying to mash up advertising, marketing, comics, and film. The comic is heavy on interpersonal relationships and Internet culture.
This week Stef tells Tim about his process, getting the comic right when life keeps getting in the way, struggles with self-promotion, and more.
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At the International Comics Festival in November, Tim picked up A Cat Named Tim and Other Stories by John Martz. It’s a whimsical book aimed at kids that plays with several devices that only work in comics. It’s also another example of the convergence of comics and children’s picture books that we noted on this podcast years back with Mo Willems.
This week Tim talks with John about this convergence, as well as the challenges of making material aimed at kids, inspiration from Jacques Tati and Charles Addams, storyboarding, Destination X, and, oh yeah, Popeye loops!
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How does one (or two) go about selecting the best American comics from any 12-month period? Especially a challenge when many are by independent creators who aren’t used to submitting their work to publications like The Best American Comics. This week Tim talks with series editor Bill Kartalopoulos about the selection process, working with the 2014 guest editor Scott McCloud, the changing American perception of comics, and much more.
“Why Comics Are More Important than Ever” by Bill Kartalopoulos (Huffington Post, 10/28/14)
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FLASHBACK! Tim takes a week off (mostly) while Kumar and Mulele take over! They’ve been hard at work making, publishing, and promoting their Web comic, Weird Crime Theater. What all does that entail? Glad you asked! The guys fill us in.
Also: Farewell to Al Williamson.
Originally published July 5, 2010
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 Sunset after the festival |
This week we wrap up Tim’s set of interviews from the floor of the International Manga Festival (Kaigai Manga Festa), held November 23 at Tokyo Big Sight. Highlights include familiar faces, a past DCP interview guest, sexy anime girls from France, poop from space, and more! |
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See photos and links below the jump…
On November 23, Tim once again visited the International Manga Festival (Kaigai Manga Festa) at Tokyo Big Sight. Comics creators from around the world (including Mulele!) were exhibiting their work to an enthusiastic mostly-Japanese crowd. Tim interviewed a number of exhibitors; hear them in this week’s episode, and see them below the jump in this post!
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While Chris Taylor goes by the pen name “Sketchfro“, he no longer has an afro and he does a whole lot more than sketch. An American living in Tokyo, he does freelance art, his own comics, and pro-level digital coloring. In this episode he talks about getting digital coloring right, drawing women with sex appeal, and the work he’ll be promoting at Tokyo’s International Comics Fest later this month.
When last we checked in on the Web comic Evil Diva, an artist needed to be paid and fans were being asked to cough up cash before the next page could be drawn. Now the comic is being published as a graphic novel, and will even get a cameo in an upcoming movie. Are the comics gods finally smiling on Evil Diva? Let’s ask the strip’s creator, Peter Menotti, and see.
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A parkour manga from Greece is the topic. A parkour manga featuring a French high school student in suburban Tokyo, and a mysterious punk-ninja-parkour gang. What could go wrong? In fact, Tim and Mulele find, surprisingly little!
R.U.N. by Kariofillis Chris Chatzopoulos, Rafail Voutsidis, Lagouvardos Manos, and Nikitas Efimidis
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This week, Tim talks with two women who are mixing Japanese and Western influences in their comics!
First, Ana Moreno, former US Marine and writer of Marine Corps Yumi, drawn in a gag-manga style by Takeshi Nogami. A gag manga about joining the Marines?! (available in both English and Japanese)
Then, Aussie Madeleine Rosca, creator of Hollow Fields (reviewed on last week’s show). Why does her work read right to left? Does she get any guff from readers about imitating a Japanese style? Also, the art of revealing neither too many nor too few secrets as your story moves forward, and more.
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