In this episode, Tim and Mulele discuss these comics, submitted by their creators:
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This time Tim and Mulele critique two superhero comics submitted by their creators:
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Two more comics submitted by their creators for Tim and Mulele’s comments:
The Incapable Trump, by Omar Mirza and Alex Genaro gives us a Trump who changes into the Incredible Hulk! it looks great, but is this the best approach to take as a commentary on Trump?
Empress, by Brian Barr, Chuck Amadori, Marcelo Salaza, and Matheus Bronca, a comic about multiple generations of women haunted by green monsters. Which parts look good, and which parts lose us?
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Hyperepics.com is a site showcasing a growing number of three-page comics, more or less of the “Amazing Stories” mold. In this episode we read many of them and talk about what we liked, and what we didn’t.
In the most recent Deconstructing Comics, Mulele told Koom about the box of his wares that didn’t make it to TCAF. In this episode, Mulele gives us an update on his box and a look back at the overall TCAF experience.
Plus, some listener mail!
About “On Syntaphore” in Spanish
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A werewolf. A female assassin. A grieving father. Varga Balint Bank and Vadas Mate’s Fallen Ones weaves their stories together in a well-thought-out way.
The Five of Us: It All Starts Here, from Sean Conway, Bangkit Myarso, Arief Reza Erlangga, and Dreadink, gives us a group of young African-American men who happen onto Power Rangers-type powers. Yeah, but what’s the actual story here?
Tim and Mulele review.
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Old Man of the Mountain issue 1, by Tom Rapka and Ariez Hernandez, includes an execution-style murder and three teens getting brutally, graphically cut to pieces. And yet, somehow it feels like it’s not meant to be a horror series. What is this comic trying to do?
That question goes double for On Syntaphore, by Lion’s Lips, because, while the art is attractive, the story is hard to discern — and even the reason for that isn’t quite clear.
Tim and Mulele discuss both, and also some listener mail, and Mulele’s upcoming trip to the Toronto Comic Arts Festival!
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Two manga-influenced titles are up for critique this time. First, in Kyle Fast’s JYNX, a white-furred monkey takes off to find adventure, leaving his guardian in the lurch. Then, organized crime gangs face off in Kitito Minami’s Dark Soul. Tim and Mulele give their opinions and advice.
Check out Mulele’s Kickstarter project!
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Tim and Mulele finish up their look at Irrational Comics’ 2018 PITCH page with L.J. Bell’s The Goodes (a superhero/kid-dealing-with-parents’-divorce tale) and Julian Dominguez’ Undergrown (exploring the idea of an earth with no humans on its surface). Irrational Comics gives each writer eight pages to rope readers into his or her tale; did these writers make the best use of the eight pages? Who won this year’s contest?
Also, Mulele fills us in on his new Kickstarter project!
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Tim and Mulele progress through the 2018 Irrational Comics PITCH page in this episode with Tokyo Mime, featuring two cops going up against a monster that takes the form of the last person it ate, and Pantheon’s End, in which a superhero team is faced with an apparently unstoppable end to the world.
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Invasion from Planet Wrestletopia #1 presents a washed-up wrestler who, though he doesn’t know it yet, is about to have to defend his 15-year-old claim to being “the champion of the universe”! Is this comic by Ed Kuehnel, Matt Entin, and Dan Schkade also a champion, or another also-ran?
Irrational Comics is again presenting its annual PITCH page, in which five writers submit eight-page scripts, drawn by the publishers artists, and then users vote for their favorite. In this episode, Tim and Mulele discuss the first of the five, Shaun Kang’s Dreamtime, in which a man uses the Aussie Aboriginal “dreamtime” state to solve murders.
Attend the upcoming CANVAS Sequential Art Meetup on Comics & Visual Storytelling in Tokyo on February 15 at 7 pm, featuring Raul Trevino, and this podcast’s own Mulele Jarvis and Tim Young!
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