Steven Gilbert is not only a comics creator (of the crime comic Colville), he’s also a comics retailer. In this episode, he talks to Koom about how elements of real-life criminals and their crimes have sometimes gotten into his comic (which sometimes were so gruesome that he was reluctant to draw them!), and explains his approaches to retailing, drawing, and self-publishing.
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Hyperepics.com is a site showcasing a growing number of three-page comics, more or less of the “Amazing Stories” mold. In this episode we read many of them and talk about what we liked, and what we didn’t.
In the most recent Deconstructing Comics, Mulele told Koom about the box of his wares that didn’t make it to TCAF. In this episode, Mulele gives us an update on his box and a look back at the overall TCAF experience.
Plus, some listener mail!
About “On Syntaphore” in Spanish
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Koom’s visit to Toronto Comic Arts Festival 2018 included several table interviews and a longer wrap-up interview with Mulele on the process of signing up for TCAF, the many roadblocks he ran into on the trip itself, the payoff of attending, how TCAF compares with Tokyo cons, and more.
(larger photos and time stamps below)
1:26 Harmony Becker, who tabled at Kaigai Manga Festa in Tokyo last year and was interviewed by Tim here, gives us an update
4:36 Mark Laliberte and Jonathan Dyck of the 4 Panel anthology
7:58 Molly Muldoon, co-writer of the graphic novel Dead Weight with past DCP guest Terry Blas
11:50 Mulele‘s TCAF story
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A comic strip gag can be a deceptively simple thing. Once you take it apart — “deconstruct” it, one might say — you find that it actually has many moving parts.
Paul Karasik and Mark Newgarden‘s How to Read “Nancy” takes a close look at each of those parts — as well as arguing persuasively for Bushmiller’s underrated artistic chops, and giving us some comic-strip history as well. Tim and Patrick review.
PLUS: Roland Mann, Dean Zachary, and Kevin Gallegly join Tim to talk about the return of Cat and Mouse!
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A werewolf. A female assassin. A grieving father. Varga Balint Bank and Vadas Mate’s Fallen Ones weaves their stories together in a well-thought-out way.
The Five of Us: It All Starts Here, from Sean Conway, Bangkit Myarso, Arief Reza Erlangga, and Dreadink, gives us a group of young African-American men who happen onto Power Rangers-type powers. Yeah, but what’s the actual story here?
Tim and Mulele review.
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In this special Monday edition of Critiquing Comics, Tim and Mulele take on a couple of comics by our listeners:
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First, Chris Calderon’s The Adventures of Rage drops us right into the middle of a battle. This is a time-honored approach, but is it being done well here? |
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Then, Andre Mateus and Rahil Mohsin’s The Big Sheep gives us funny animals in a noir setting. How does this compare with Andre’s previous submission to Critiquing Comics? |
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Tim attended CAT 2017 on November 25, with job one being a talk with Scott Pilgrim and Seconds creator Bryan Lee O’Malley! O’Malley answers some lingering questions from those books, and discusses the inconsistent censoring of cursing in Snotgirl, giving characters body language, why autobio comics are so popular, and what, if anything, he would change about his published work.
Tim also talked with a couple of other creators (many of the denizens of Artist’s Alley were the same ones we met at Kaigai Manga Festa in the past two episodes) and covered a workshop on Risograph Printing presented by Natalie Andrewson, Ryan Cecil Smith, and Grame McNee.
Also in this episode, we’ll hear from CAT co-organizer Adam Pasion about how this year’s event went, and lessons learned for next year.
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This week, part two of the Kaigai Manga Festa 2017 roundup, recorded in Tokyo on November 23 at Tokyo Big Sight.
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It’s time for another Kaigai Manga Festa roundup! This year’s international comics festival in Tokyo was held on November 23 at Tokyo Big Sight, alongside the Comitia festival as always. Tim caught up with some familiar faces and met some new ones as well!
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This week, Nicole Georges talks about her latest book, Fetch: How a Bad Dog Brought Me Home. Was her dog Beija really such a difficult dog, or was it all in Nicole’s mind? Also the prevalence of autobio comics, the public perception of comics in general, where the zine scene is today, and much more.
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