On a world with two suns, a young couple leave their city in a bubble and go to live in a small rural community. Is it the freedom they’ve been looking for? That’s the premise of Sophie Goldstein’s graphic novel “The Oven”. This week Sophie talks with Tim about “The Oven”, readers who have varying interpretations of her work, her warning for budding comics creators, and more.
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Ogawa Burukku (a.k.a. Brooke Stephenson) has been enjoying great success with her magical-girl manga FaLLEN — both on the Web and in self-published books. This week she talks with Tim about her experience studying comics and being a manga studio assistant in Tokyo, why straight women get into a comic with nude women in it, why living in Japan is not like living in the future, tabling at Japanese comics events vs. American conventions, and more.
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Last year at the comics journalism panel discussion in San Francisco, we met Andy Warner, whose work has appeared mostly on newsy Web sites. This week, Andy fills us in on how he gets freelance work with these sites. Also, the golden age of US newspaper strips, time management, the need for more support for comics (and ALL media), and… the Legend of the Bunnyman!
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This week Tim travels just south of Tokyo to Yokohama to meet up with Chris Taylor (“Sketchfro”), creator of Relic Hunter: Riven, and James Stacey of Black Hook Press, which publishes Japanese translations of US and UK graphic novels. How do you prepare for conventions? Did you do comics differently back home? What’s different about tabling at German comics events? Why did Chris get in an argument with Archie Comics? That and more!
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Michael Bangert’s Viking Sky Kings features a guy looking for work to support his wife and child. Each scene is a slice of life… but maybe a bit too thinly sliced. How do these slices fit each other? The site navigation of this Web comic is not helping matters… Tim and Mulele try to piece things together.
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What are some advantages and disadvantages of comics as a medium? How can you show lack of motion in a comic? Is the lack of sound in a comic ever an advantage? How do you keep yourself going when you’re afraid that your work isn’t good enough? This and more this week with three Tokyo-area artists: Grace Mineta, who’s having considerable success with her Texan in Tokyo comics and YouTube channel: Pei-in Wu, a Taiwanese artist who’s juggling comics with a day job; and Yu Ohmura, who self-publishes comics about his travel experiences.
Some samples of Yu Ohmura work:
On the left side of the photo below is the girl falling in the snow, described by Yu during our discussion of showing movement (or lack thereof)
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Actually, several questions. I’ve become a follower of Yugata’s career since meeting her at the massive Comic Market (“Comiket”) event in Tokyo last December. At that event and also at Comitia in May, I bought some of her work. The juxtaposition of cute high school girls and creepy insects is interesting, but the main attraction is not so much the subject matter as that it’s just drawn and colored so beautifully. This is a lady with real talent.
| I feel I’d like to show characters who are both scary and cute. Putting horror elements together with cute ones, I think I can create something new and interesting. — Yugata |
Stunned that this twentysomething artist is not already the toast of the Tokyo manga world, I’ve been wanting to spread the word about her. I first inquired about doing an interview in January. She has a lot going on, but finally found some time to sit down with me on June 21, 2015, in the Nakano area of Tokyo. What follows is a transcript, translated from Japanese and edited for length and clarity.
(Note: “Yugata” is a pen name; as is not unusual in Japan, she doesn’t put her real name on her work, at least in part because moonlighting is frowned upon. She also declined to let me take a photo of her; it’s your loss, I have to say.)
DCP: Is making comics your job?
YUGATA: Well, I really want it to be my job, and lately I’ve been getting some things published in magazines. Continue reading Yugata, I’ve got a question…
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Kumar reports on the three comics shows he attended while in Canada last month: Toronto Comic Arts Festival (where he spoke on a manga translation panel), East Coast Comics Expo (where he had a table), and Vancouver Comic Arts Festival. (Click below for photos) |
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Then Tim and Mulele discuss Jason Brubaker’s “Sithra: Book One”. Brubaker recently quit DreamWorks — yes, that’s right, QUIT DREAMWORKS — to follow his muse, which prompts Tim and Mulele to think about their own career hopes, in comics or otherwise. |
Continue reading #454 Kumar Across Canada
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Nao Yazawa and Mokutan Angelo join Tim in what will hopefully be the first in a series of group discussions with Tokyo-based comics creators! Topics include Tokyo’s annual International Comics Festival, comics in Brazil, things an artist asks the audience to overlook, effects of traditional Japanese drama on manga and anime, and more!
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This week, an interview with Frank Santoro, who writes for the Comics Journal, teaches comics creation (mostly through the Web), and has published several graphic novels, including Storeyville and Pompeii. We discuss using geometry to design a comics page, the artists he draws attention to on his Comics Workbook page, the reason Pompeii is in such a rough drawing style, and more.
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