An old camera found in a shop in Kathmandu starts up a sometimes exasperating, but ultimately engrossing, story of climbing Mt. Everest, with one of the most satisfying endings you’ll ever see. Kumar (who translated the story into English for Fanfare/Ponent Mon’s edition) and Tim discuss Baku Yumemakura and Jiro Taniguchi’s The Summit of the Gods.
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In Black Hole, Charles Burns examined coming of age, in a new and slightly creepy way. After losing their virginity, various teens are affected by something called The Bug. Does The Bug symbolize puberty, or something else? Kumar and Dana go back to take another look at this classic graphic novel.
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He’s taken a bite out of the moon! He’s threatening to destroy earth! He’s… teaching junior high? What is the many-tentacled Koro Sensei up to? Why is he up for letting a bunch of 14-year-olds try to kill him? Tim and Kumar talk about Yuusei Matsui’s Assassination Classroom – incomprehensible sound effects and all!
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Frank Miller and Dave Gibbons’ brilliant Give Me Liberty features a surreal America in the near future that is falling apart. Their Martha Washington, a young black woman raised in a housing project, is a tough, resourceful, heartbreaking heroine who journeys through and ultimately survives this America.
Koom and Kumar reflect upon the neglected classic and its eerie ability to touch upon the spirit of America during this election season. They recorded this podcast after the third presidential debate, when Hilary Clinton seemed likely to win, and joked about the connections. Sometimes, reality has a way of outdoing fiction.
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Luke Healy’s How to Survive in the North presents two different early-20th-century expeditions to the Arctic, and how they were connected. Well, except some of the connections are unclear, and Tim and Kumar both had the same misunderstanding about the book the first time through! Yet the book does present some amazing people and incidents. Here’s our review.
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Join Kumar and Koom as they discuss Alan Moore’s run on the palladium paragon, the alabaster avenger, the archetypical archetype: Rob Liefeld’s Supreme. Kumar tries not to lose it over the Image era ‘artwork’ while Koom attempts to reconcile supremium with revisionist theory. Supreme was Moore’s last outing with a true blue superhero in the classical mould. Both postmodern and nostalgic for lost comic values at the same time, this run sits Janus-like between Moore’s early work and his modern period.
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The epic space opera Queen Emeraldas from Kodansha is the first release of manga in English by legendary cartoonist Leiji Matsumoto since 2002. Kumar and fellow Matsumoto advocate Ryan Cecil Smith dig into the recently-released first book of the 2-volume series and discuss Matsumoto’s relative obscurity in the West, the brutal morality of life in space, and potato heads on the sea of stars.
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The Fade Out is Ed Brubaker, Sean Phillips, and Elizabeth Breitweiser‘s nuanced, subtly told, complex story of Hollywood in 1948, revolving around a secret deal between a writer who can’t write because of PTSD sustained in the war and another writer who’s been blacklisted as a communist. We touch on some of our favorite little-noted details in the story.Why is Brubaker repeatedly attracted to “noir”-type stories? While Sean Phillips’ art is great, and he digests photo reference into his art better than some do, do some of the limitations of that method still show through? Tim and Brandon discuss. |
| Kumar journeyed so San Diego for the Comic-con this year, for the first time in twelve years. How has the event changed in that time? Who did Kumar get to meet this year? How did he work around the crowds? We get his report. | |
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A fantastically undermanned operation is laying the groundwork to take over the world — starting with Fukuoka, Japan! That’s the premise of Rikdo Koshi’s Excel Saga, which ran in Japan from 1996 to 2011, and started in North America in 2003, where three volumes made it into the top 50 graphic novels chart. But now, with the manga boom long past, it seems to have faded to obscurity. Tim and Kumar take a look at the first three volumes to decide whether its current obscurity is fully deserved.
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Paul Chadwick’s Concrete first appeared in Dark Horse Presents #1 in 1986. While its hero is a human whose brain is transplanted to a huge stone body by aliens, the stories are otherwise very realistic and emotional, and often center on real-world problems. While the series had some success, and theoretically the next volume should still be on its way, Concrete does not seem to be so widely remembered.
This week, Kumar and Koom take a look at a couple of their favorite Concrete stories: Think Like a Mountain, which focuses on environmental issues; and The Human Dilemma, about overpopulation.
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