#601 Katie Lane talks publishing contracts

Katie Lane

If you’re talking with a publisher about putting out your work, or you hope to be in the future, attorney Katie Lane is here to put you on the right track! In this episode, she talks to Tim about maddening contract stipulations (why they’re there and what to do about them), deciding when you need a lawyer (or an agent? or both?), what to do if you’ve already signed a bad contract (and didn’t mean to!), and more.

#599 Steven Gilbert

Colville

Steven Gilbert is not only a comics creator (of the crime comic Colville), he’s also a comics retailer. In this episode, he talks to Koom about how elements of real-life criminals and their crimes have sometimes gotten into his comic (which sometimes were so gruesome that he was reluctant to draw them!), and explains his approaches to retailing, drawing, and self-publishing.

#598 Dylan Horrocks looks back at “Hicksville”

Hicksville

Twenty years after the first collection of Hicksville was released, creator Dylan Horrocks talks to Emmet about how the comic looks to him now. Some of the work’s commentary on the comics industry turned out to presage subsequent developments, and in some cases he ended up not going far enough! Also, his source for a Jack Kirby quote that many experts were unaware of; the public’s misinterpretation of the term “graphic novel”; the explosion of female and minority comics creators, especially outside of the Big Two; and more.

#595 Mulele and other DCP connections at TCAF

TCAF 2018

Koom’s visit to Toronto Comic Arts Festival 2018 included several table interviews and a longer wrap-up interview with Mulele on the process of signing up for TCAF, the many roadblocks he ran into on the trip itself, the payoff of attending, how TCAF compares with Tokyo cons, and more.

(larger photos and time stamps below)

Harmony Becker

1:26 Harmony Becker, who tabled at Kaigai Manga Festa in Tokyo last year and was interviewed by Tim here, gives us an update

Mark Laliberte and Jonation Dyck

4:36 Mark Laliberte and Jonathan Dyck of the 4 Panel anthology

Molly Muldoon

7:58 Molly Muldoon, co-writer of the graphic novel Dead Weight with past DCP guest Terry Blas

Mulele

11:50 Mulele‘s TCAF story

#594 Campbell and Niffenegger and their “Bizarre Romance”

Audrey Niffenegger and Eddie Campbell

In town for the Toronto Comic Arts Festival, comics power couple Eddie Campbell and Audrey Niffenegger talk to Koom in this episode about their new collaboration, called Bizarre Romance. We also get some tidbits about Audrey’s work on the sequel to her novel The Time Traveler’s Wife, and Eddie talks about coloring From Hell and his recent book The Goat-Getters.

More from TCAF this Thursday!

#593 Reading “Nancy”, plus “Cat and Mouse”!

How to Read Nancy

A comic strip gag can be a deceptively simple thing. Once you take it apart — “deconstruct” it, one might say — you find that it actually has many moving parts.

Click to enlarge

Paul Karasik and Mark Newgarden‘s How to Read “Nancy” takes a close look at each of those parts — as well as arguing persuasively for Bushmiller’s underrated artistic chops, and giving us some comic-strip history as well. Tim and Patrick review.

Cat and Mouse

PLUS: Roland Mann, Dean Zachary, and Kevin Gallegly join Tim to talk about the return of Cat and Mouse!

#590 Chris Stevens and “Once Upon a Time Machine”

Chris Stevens, a comics writer and editor who has co-edited two volumes of the anthology series Once Upon a Time Machine (the second volume is newly released) talks with Koom about Frank Miller’s work, Chris’ time with Philadelphia indy publisher Locust Moon, income inequality among comics creators, and of course, some of the stories he’s edited for the anthologies.

#589 Dorman, Mackie, and McCrea at Toronto Comicon

This week, three interviews that Koom got at Toronto Comicon, in a special two-hour episode!

Dave Dorman is best known for his Star Wars art, as well as other fantasy work, and even some Batman. Here he talks about being one of the first students at the Kubert School, and the lasting friendships he made there with other now-famous names, and about his approach to painting, including doing likenesses.

Howard Mackie entered Marvel in 1984 as an editor, and eventually became the writer on such characters as Ghost Rider, Iron Man, and Spider-Man. He talks about that transition, working with the guys who would later form Image Comics, and what he’s done since leaving Marvel.

John McCrea is best known for his work with Garth Ennis on such works as Troubled Souls, Hitman, and Section 8. What’s it like working with Garth? Why should you avoid doing work that goes against your publisher’s expectations? Why did he set out to do a different kind of comics than the type he’s seemingly best suited for?

#587 Science in a comic: Dialogue about “The Dialogues”

This is the story of a very unusual project: a 250-page comic showing people talking about science. Not your cup of tea? Actually, the seeming lack of overlap between “comics people” and “science people” is part of this story. It was one reason this book took nearly two decades from inception to publication.

In this episode, Ryan Haupt joins Tim to review this book, called The Dialogues; then, the book’s author, USC physics professor Clifford V. Johnson, explains the arduous journey of this book, which explains a topic that’s poorly understood by the public via a medium that’s also poorly understood by the public.

Also including some actual science talk, including Ryan’s recommendations for other non-fiction comics about science!

#586 Flirting with death, and recovering your life

This week Koom interviews Prabal Purkayastha, author of Flirting with Death, about how he tried to use the structure of a comic to communicate music, and how his next project is just the opposite of this one.

Then, what would you do if you found yourself on a park bench along a city street, and you knew where you were but you didn’t know who you were? Your home, friends, family, job, all forgotten. Tim and Eugenia review the French graphic novel Blank Slate, by Boulet and Penelope Bagieu, in which a young woman in Paris encounters exactly this problem.