What are the people like on the other side of the mountain? Are there any there? Where does the stuff, the objects, the food we enjoy in our daily lives come from? These questions are central to Shanti Rai‘s first graphic novel, Sennen. In this episode, Tim and Jason review the book, and then Tim talks to Shanti about how her bicultural background helped inspire the book, and the unexpected obstacle that slowed down its creation.
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Marta Chudolinska (who-doh-lean-ska), the child of Polish immigrants to Canada, makes comics and other art in Toronto. Koom talks with her about her ongoing project Babcia, about her grandmother and her family’s history in Poland.
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Suzanne Lenglen was a trendsetting tennis star in the 1920s, among the first to challenge the notion that tennis players had to be amateurs, running themselves into debt to keep competing, in order to participate in tournaments. Tom Humberstone‘s first full-length graphic novel Suzanne: The Jazz Age Goddess of Tennis, soon to be released, is a finely honed work of historical fiction on her life and influence. Tim and Jason review the book in this episode; then, Tim interviews Humberstone about the process of making the book, why he was inspired to focus on Lenglen, and what he hopes to do next.
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Joseph Smith and the Mormons is an objective look at the founder of the Church of Jesus Christ of Latter Day Saints. Author and artist Noah Van Sciver took a bit of heat from the church for not portraying things in line with church teaching. Adam interviews Noah in this episode, as they compare notes on moving on from their respective religious upbringings, plus Noah describes his process and tools, adjusting to fatherhood, and what kind of comics work to do next.
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Anneli Furmark is a Swedish illustrator and comics creator whose latest book is Walk Me to the Corner, in which two married middle-aged women become attracted to each other. Anneli talks with Koom (at the Toronto Comic Arts Festival) about why this book isn’t an LGBT book, about her painting technique and layout choices, and more.
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Strangehaven is a series started by Gary Spencer Millidge in 1995. As he does everything himself (including publishing, for the first 18 issues), it has come out on an irregular schedule, but the content has been compelling. Kumar talks with him about how far he might be from completing the series, his process, his life-Strangehaven balance, and more.
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What’s creator Ron Randall been up to since we talked with him last? He’s continuing his comic Trekker, now 35 years since its inception, and is up to his seventh Kickstarter for the series. He’s back to talk about that, plus he and Tim talk about the rise of decompressed storytelling in American comics over the past few decades, what caused its rise, and its pluses and minuses.
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Jim Rugg is known for his indy hit Street Angel, for being half of the duo hosting the super-prolific Cartoonist Kayfabe videos series, and for illustrating other works such as Cecil Castellucci’s The Plain Janes. Now he’s about to be known for the Hulk retrospective Hulk: Grand Design. This time, Kumar talks with him about how the Hulk work came about, the development of Street Angel, his ever-changing artistic process, the making of Cartoonist Kayfabe, and more!
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Ghosting is about a bus driver in a budding relationship with a woman who suddenly disappears from his life. Has he simply been ghosted? Or is there more to it? Emmet was captivated by the book (winner of the 2020 Best Irish Comic award), and this time he chats with its author (and fellow Ireland native), Debbie Jenkinson about this book and her forthcoming followup, the Dublin comics scene, how being an outsider affects the art one produces, and more.
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San Diego Comicon has always been about more than comics! That’s the contention of producer and journalist Mathew Klickstein, who joins Tim this week to tell us all about his audio documentary podcast “Comic-Con Begins!” Mathew talked with dozens of people who were there at the birth of the con and celebrities who have appeared there over the years, and reaches back decades before SDCC’s birth in 1970, to the earliest rumblings of geekdom. He’ll also give us some idea of what’s in the future for this history project.
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