In this episode, Tim and Mulele discuss:
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Three more talks with the folks at Helioscope Studio in Portland in this episode!
Steve Lieber, an artist in his own right and also manager of the studio, gives us a brief history of the studio (including its self-naming woes) and tips on how to start your own studio.
Intern/mentee Maria Frantz, a university student and web cartoonist who grew up reading Calvin and Hobbes, explains her internship and the aims of her comics work, and how her generation approaches comics.
Finally, Ben Dewey (Autumnlands, Beasts of Burden) talks about his process of doing art (involving digital pencils and analog watercolors), why you shouldn’t get too fussy over your comics, managing your comics creating time, and what was good about Rob Liefeld’s work.
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This week we double back to the beginning of Tim’s summer trip around the US, and meet three of the many creators at the World Monster Headquarters studio in Minneapolis. We’ll meet Peter Wartman, creator of the graphic novel Over the Wall and currently working on the sequel, Stonebreaker. He talks about why Over the Wall is still on his web site, even though the book is out.
Then, Sean Lynch, currently working on his graphic novel The Zoo, which asks the question, does “choice” really exist?
Finally, Lupi McGinty, creator of the web comics Lolly Poppet and Bantam Returns. She tells us about the live action Calvin and Hobbes movie she made as a kid!
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A noir thriller… that seems very reminiscent of a very different comic strip! Tim and Mulele discuss “Spencer and Locke” by David Pepose and Jorge Santiago Jr.!
Also, we talk about Marvel and the backlash toward “Secret Empire”.
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Mike White’s “Amity Blamity” has gone from a Web comic with a few hundred readers to a new book from Slave Labor Graphics, also available for the iPhone and iPad. Mike talks to Tim about promoting the comic, as well as his inspirations and process for creating the comic.
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