from Savage Sword of Conan #162
story by Charles Dixon, art by Jorge Zaffino
Marvel Comics, July 1989.
I’m not really even going to review this comic. I’m just going to talk about comics in general.
Every once in a while I hear people talking about the writing and art in comics as completely separate entities. I always snicker to myself and think that you simply can’t do that because in comics the art IS the story and the story IS the art. In comics you read the art. You can’t rate the story a “7” and the art a “3.” They are the same thing. You have to rate the COMIC a “7” or a “3” or whatever. Continue reading REVIEW: “The Horned God”
Villains we love to hate! Villains who could have been good guys but made bad choices! What makes the more interesting villain? Are the two types mutually exclusive? Why are some villains really compelling, while others become the butt of jokes? What makes a villain menacing? How is it different in comics compared to movies or TV? Tim and newcomer 
This week we tackle a couple of recent mini-comics: Chafed by James Mitchell and Evan Spears, and Kid with a Cape by Dave Castro. We also touch on how to pull off a successful first issue, and one possible future for US mainstream comics.
Tim and Brandon take on two graphic novels: First, Vera Brosgol’s ghost/coming to America/coming-of-age story “Anya’s Ghost”; then, Paul Pope’s sci-fi/relationship/drug story “Heavy Liquid”.
Have you ever read a comic and pored over the beautiful drawings, or wondered why those colored dots disappeared, or how many people it took to write, draw, print, publish and send out the comic? Have you ever thought of making your own comic?
A comic about teaching English in Japan, discussed by two English teachers in Japan! 
Harold Gray’s Little Orphan Annie debuted in 1924 and was a big success. FDR having not yet turned him against organized labor, Gray shows hardworking Annie going on strike in one of her many jobs. Tim and Kumar discuss the ’20s strips, their strengths and idiosyncrasies (one strip=one day?!), and how Gray’s outlook changed later.