#243 Frontline Combat

EC Comics are primarily remembered as gruesome horror stories, but the company published in other genres as well. One EC staple was war comics, which enjoyed great popularity during the Korean War. One such title was Frontline Combat, the comic that dared to admit that “Marines retreat!” The now-huge names behind the series — Harvey Kurtzman, John Severin, Jack Davis, Wally Wood, and more — primarily intended it as an anti-war book, but is it? Is it possible to simultaneously portray war as horrible, and painstakingly present the tanks and guns in all their glory? Tim and Kumar discuss.

#242 Sex comic: Art! Thor trailer: Trash?

Oglaf appears on the Web uncredited, with no merch store, and with plenty of well-written, well-drawn raunchy comedy. Very, very raunchy. Tim, Mulele, and Kumar dig on this comic (platonically).
The trailer for the upcoming “Thor” movie, though, does not impress. What were we expecting? Is Marvel starting to make their movies as inaccessible to the layman as their comics? What could have made this movie look more appealing to us?

#241 Dragon Ball

Though the highly influential manga series, and resulting TV show, are known for non-stop action and fighting, Dragon Ball started out as a comedy strip reminiscent of Akira Toriyama’s early work, Dr. Slump! Viz’s English versions have gone through various levels of censorship over time to adjust to the low level of sexuality that most Americans expect of kids’ books. Except, most of the characters themselves don’t understand sexuality, and that’s the charm of it; it’s best enjoyed (probably by kids as well) in its pristine form…if you can find it! Tim, Kumar, and Mulele review.

Visual censorship comparisons after the jump (NSFW but probably safe for Japanese kids):

Continue reading #241 Dragon Ball

#237 Web comics from our listeners!

At last the time has come! As we promised a few weeks back, this week Tim, Kumar, and Mulele critique comics by listeners:

#236 Weird Crime Theater: Setting up a Web comic site

Tim takes a week off (mostly) while Kumar and Mulele take over! They’ve been hard at work making, publishing, and promoting their Web comic, Weird Crime Theater. What all does that entail? Glad you asked! The guys fill us in.

Also: Farewell to Al Williamson.

#234 Race Issues in Comics

Comics have come a long way since Milton Caniff could put a hideous Chinese stereotype in a family newspaper, or create a racist World War II guide to telling “Japs” from Chinese people — right? Well… but what about those papers today that only want one “black strip”Candorville or Curtis, but not both? The top ranks of Marvel & DC heroes are overwhelmingly white — and, thanks to “regressive storytelling” at DC, they’re becoming more so. Black heroes, Hispanic heroes, seldom have their own titles. And, oh by the way — how about some characters with roots in India? Please? Tim, Kumar, and Mulele discuss the past history of racism — intentional and not — in American comics, and the present-day reality of most comics’ racial non-diversity. Also: Why Canadian-citizen Kumar never cared about Alpha Flight!

Links, links, and more links:

#141 “Dr. Slump” and “Cromartie High School”

Dr. SlumpFLASHBACK! In our August 18, 2008 episode, Tim and Kumar discuss gag manga! We cover two hilarious Japanese comics series, “Dr. Slump” by Akira Toriyama, and “Cromartie High School” by Eiji Nonaka.

#231 Comics Translation

Thinking of looking for work as a comics translator? What issues are you likely to face in doing the work? Our very own Kumar, translator of dozens of Japanese comics for Dark Horse, talks to Tim about translating puns, accents, sound effects, song lyrics, and more.

Plus: Farewell to Frank Frazetta.

#229 Thoughts on thought balloons

In a recent interview, Steven King is quoted as saying that a Vertigo editor asked him not to use thought balloons in his work on American Vampire. An article in Comics Comics Mag brought this to our attention, and sparked discussion. Why do some editors now discourage, or even ban, thought balloons — even when the writer is Steven King? Are they perceived as being cheesy, and if so, why? Tim, Kumar, and Mulele discuss. Also: The Walking Dead, Billy Bat, and Gin-Tama!

#224 Our Notes on “Death Note”

A bored, punk-dressing god of death and a genius high school boy are the main characters in Death Note, written by Tsugumi Ohba and drawn by Takeshi Obata. The boy, Light Yagami, receives from the god a notebook with which he can kill people simply by writing their names in it. A plot with many twists and turns ensues. Tim and Kumar review — first without spoilers, and then, 38 minutes in, totally and utterly with spoilers.