#795 Jack Kirby’s “Capt. America and the Falcon” #198-200: Bicentennial Madness

Capt America and the Falcon 199Cap and the Falcon have found the underground bunker of the aristocratic forces hoping to take over America on the Bicentennial, but the location of their secret weapon, the Mad Bomb, is still a mystery. What next? How about a love story? But wait a minute – this love story between Cap and a sick young woman seems to be here for symbolism. Tim and Emmet follow our heroes to the explosive conclusion of the Mad Bomb storyline in Captain America and the Falcon 198-200!

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#789 Jack Kirby’s “Capt. America and the Falcon” #193-194: “Madbomb”

Captain America and the Falcon

When Jack Kirby returned to Marvel in 1975, the first series he worked on starred the character that was one of Kirby’s earliest claims to fame: Captain America, created in 1940 by Kirby and writer Joe Simon. Before Kirby returned, Cap’s book became Captain America and the Falcon. As Kirby begins his run, he deftly uses the African-American Falcon to show that Cap’s optimistic view of America (“This country’s grown up!”) isn’t always accurate (“Jive! It’s still trying, friend!”). This time, Tim and Emmet discuss Captain America and the Falcon #193-194.

Waxing and Waning: Essays on Moon Knight, containing an essay by Emmet

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#234 Race Issues in Comics

Comics have come a long way since Milton Caniff could put a hideous Chinese stereotype in a family newspaper, or create a racist World War II guide to telling “Japs” from Chinese people — right? Well… but what about those papers today that only want one “black strip”Candorville or Curtis, but not both? The top ranks of Marvel & DC heroes are overwhelmingly white — and, thanks to “regressive storytelling” at DC, they’re becoming more so. Black heroes, Hispanic heroes, seldom have their own titles. And, oh by the way — how about some characters with roots in India? Please? Tim, Kumar, and Mulele discuss the past history of racism — intentional and not — in American comics, and the present-day reality of most comics’ racial non-diversity. Also: Why Canadian-citizen Kumar never cared about Alpha Flight!

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