Category: Comics commentary

Comics commentary from our podcast regulars.

#860 Chris Ryall on “Daredevil: Born Again”

Daredevil: Born Again

Daredevil: Born Again, by Frank Miller and David Mazzucchelli, is one of those comics stories that continues to attract attention decades after it was published. Chris Ryall, co-founder and current publisher at Image imprint Syzygy Publishing, is the author of a new book on that story. He talks with Koom in this episode about the arc’s religious symbolism, Ben Urich as the story’s magic ingredient, and more.

Marvel Fanfare 40

Mazzucchelli art for Marvel Fanfare #40 (Oct 1988) cover, as seen on Koom’s wall

Coppola loan application

Coppola loan application

Chris:

Koom:

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#859 Jason Shiga: Choosing his own path

Demon

Jason Shiga is creator of the four-volume series Demon as well as many interactive comics. This week, Koom interviews Jason about his page layout strategy, his connections to Adrian Tomine, the pros and cons of comics where the reader gets a choice of paths through the story, his intriguing new project, and more.

Jason:

Koom:

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#857 Carol Tyler’s “The Ephemerata”: Making sense of the worst of all possible stretches

The Ephemerata

Longtime comics creator Carol Tyler went through a horrific stretch in her life where she lost numerous loved ones, from her parents, to a neighbor, to her dog, in just a six-year stretch. Many other things of varying levels of horribleness happened within that time, too. Her response is not so much to tell us what she’s learned from the experience as to simply try to learn something from it by making a graphic novel about it, which she called The Ephemerata. This week, Tim is joined by Juan Mah y Busch to review.

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#855 Jack Kirby’s “Captain America” 214 & Annual 3: Cap vs the Space Vampire!

Cap Annual 3 1976

Jack Kirby wraps up his run on Captain America and the Falcon with issue 214, the rather underwhelming conclusion of the Night Flyer story. But wait! Kirby also did a couple of annuals, so we dig into annual #3 from 1976. Yeaahhhh, that’s the stuff! If you haven’t been getting enough PULSE-POUNDING ACTION in your comics, this is the issue for you!

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Critiquing Comics #246: “Roy Beckwith and the Cursed Continent” and “A French Expat in the U.K.”

Roy Beckwith and French Expat

Roy Beckwith and the Cursed Continent is a western series by Nick Patch, Jarret Katz, and Fabi Marques. It looks great but it runs at a breakneck pace and seems to be introducing a few too many elements. Tim and Jason discuss.

A French Expat in the U.K., by Agathe Montagnon, was sold through the LDC Online Comics Fair last summer. It’s a quick and evenhanded look at some of the differences between the British and French cultures, as experienced by the author herself. American expats in Japan Tim and Adam take a look.

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#853 The strange history of “Robotech”

Robotech: Sentinels

What if your first Star Wars movie were Return of the Jedi? You’d have questions! That’s how Tim felt once he got started reading Robotech II: The Sentinels volume 1, a comics continuation of the animated Robotech show that hit the U.S. in 1985. Robotech was a combination of three different anime — why?? And why is it that, after all these years, the Robotech story doesn’t really progress? Tim discusses with longtime Robotech fan Erik Amaya of Comicon.com.

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#369 “Krazy Kat”: Show me the bricks

Krazy Kat

FLASHBACK! One of the most highly-regarded English-language strips of all time is George Herriman’s Krazy Kat, featuring the odd love/hate triangle of Krazy, Ignatz, and Officer Pupp. Why was Krazy so gender-ambiguous? How did Herriman’s (somewhat mysterious) racial background influence the strip? Tim and Kumar discuss this and much more. (Originally published September 2, 2013.)

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#358 Carl Barks, “The Good Duck Artist”

Lost in the Andes

From 1942 to 1966, many of the Donald Duck comic books published by Dell Comics were written and drawn by Carl Barks. Like most comic book creators at the time, his name was unknown; the Duck comics were all credited to Walt Disney. Fans only knew that his work was by the GOOD duck artist. Barks created Scrooge McDuck and many of the other duck characters that are taken for granted as part of Disney canon today.

What made Barks the standout Duck artist? Were they meant to be satirical, or simply enjoyable stories? Tim, Kumar, and Tom Spurgeon discuss Barks’ work, particularly the Fantagraphics volume Lost in the Andes. (Originally published June 3, 2013.)

Comics Journal review of Lost in the Andes

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#851 Jack Kirby’s “Cap and Falcon” 212-213: “I love you, baby!”

Captain America and the Falcon #212 concludes the Arnim Zola/Red Skull storyline in somewhat perfunctory fashion, and gives a living castle with big teeth much less P.R. than it deserved! In #213 we meet the strange and underutilized assassin the Night Flyer! (Underwhelming name? Must’ve been named by Jack Kirby!) Tim and Emmet discuss both issues in this episode.

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Critiquing Comics #245: “Joe Mallard” 4-6 and “Dream Machine”

Joe Mallard - Dream Machine

Joe Mallard, a favorite of Tim and Jason’s from a year ago, is back! Creator Asante Amani has sent us issues 4-6 of this crime series. Did it go over with us as well as the first two issues did?

Ky Lawrence has created a trippy graphic novel about survivor’s guilt. In Dream Machine, our protagonist dreams he can sacrifice himself to bring his cancer victim twin back to life. Tim and Adam critique.

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