#502 “One Punch Man”

One Punch ManOne Punch Man was originally a crudely-drawn Web comic by a guy calling himself “One”. But then the story, with art by slick manga artist Yusuke Murata, was picked up for publisher Shueisha’s Young Jump Web Comics website in 2012. It subsequently became an anime, and the manga is available in English from Viz.

This week, Tim and Kumar take a look, to discuss whether the story is really served by Murata’s typical manga art, and the good and bad points of the comic as it exists.

#498 Jason Shiga’s “Demon”

Demon

Jason Shiga’s Demon is one of the craziest comics you’ll ever read. The cartoony art makes it look unassuming, but frankly the darkly comic mayhem of this story probably wouldn’t work with a more realistic style of art. The story is about… Wait! Did you read it? You’d better do so before listening to Kumar and Dana talk about it, because this episode is — unavoidably, with a comic like this — full of spoilers. Listener beware!

#494 Batman vs. Superman

Batman vs. Superman

Kumar talks with both Emmet O’Cuana and John Roberson about Batman vs. Superman: Dawn of Justice. How does Zack Snyder see these characters, and how is his vision at odds with the established ideas about these characters? How can we think about the events in this movie in a way that makes sense?

Music:

“Superman’s Song” – Crash Test Dummies

“I Whipped Batman’s Ass” – Wesley Willis

“(Wish I Could Fly Like) Superman” – The Kinks

#485 Alex and Ada: Robots done right?

Alex and AdaAlex and Ada is Jonathan Luna and Sara Vaughn’s critically acclaimed 15-issue series about human interaction with A.I. It raises some interesting issues, but does it handle them well? Have the same ideas been explored better elsewhere? Tim and Kumar open up the machine and take a look.

#482 Peanuts: A Twentieth-Century Classic

Lucy pulls away the football

Charles Schulz’s Peanuts is one of the most beloved comic strips of the 20th century. But while some prefer the hilariously cruel and despairing tone of the first half of the series, it seems that the public perception of Peanuts is more in line with the cute, commercial tone it took on in its second 25 years.

This week Tim and Kumar come back to Peanuts, more than seven years after reviewing the Schulz bio, to delve more into the strip itself. What is the nature of the Peanuts kids? What motivates them? How does Peanuts (especially in its first half) fit an existentialist view of the world?

Also discussed: the recent movie — what was good or bad. Was showing the Little Red Haired Girl a good idea? Plus, a nod to a few of Schulz’s more interesting panel compositions, and, what Peanuts strip does Tim want on his wall?

#310 Takehiko Inoue’s “Slam Dunk” and “Vagabond”

Slam Dunk/VagabondFLASHBACK! Takehiko Inoue’s Slam Dunk is easily mistaken for a serious sports manga. Pick it up, though, and you’ll find instead a hilarious ensemble comedy that just happens to involve basketball. Still, the series is credited with basketball’s 90s popularity in Japan, and led Inoue to create several other basketball-related series. But is oeuvre isn’t all hoops; he’s also the creator behind Vagabond, a sometimes-violent but intriguing take on the life of 17th-century historical figure Miyamoto Musashi. Tim and Kumar dig into both series.

Originally published February 27, 2012

#479 Some of the greatest Superman stories (or not)

Death of Superman

There’s no doubt that Superman is one of the most significant characters in the history of American comics. He ended up setting the template for what would be the dominant genre in American comics after the Comics Code came into effect. Of course, the types of stories told in those comics, and their tone, has varied wildly over the years, which makes it difficult to try to determine which stories are the best of the lot, but naturally people make the attempt, including DC Comics itself.

This week Kumar and Tim look at the 1980s collection “The Greatest Superman Stories Ever Told”, as well as Alan Moore’s “Whatever Happened To the Man of Tomorrow”, which is currently being published in a collection with two other Moore Superman stories. Are these actually the greatest Superman stories?

Featuring Batman’s superior party prep skills, swimming the interplanetary water spout, and the symbolism of the ads in the original printing of “Whatever Happened to the Man of Tomorrow”! *Choke*

#471 “Crumb” and “Punk Rock Jesus”

Crumb
Punk Rock Jesus

Tim and Kumar meet in person for the first time! This calls for a podcast, but… what to review? We discuss the movie Crumb, which features not only the expected discussion of R. Crumb’s work (including an objective look at the question of whether some of the … discomfiting subjects of his work should really have been published as “art”), but also a fascinating portrait of the dysfunctional family he grew up in.

Then, Tim and Brandon clash over Sean Murphy’s Punk Rock Jesus, in which a former Irish Republican Army member acts as a bodyguard in a reality show claiming to be creating the clone of Jesus Christ. Is it objective and well-written, or a promo brochure for atheism?

#468 Harvey Kurtzman’s MAD

MADWhile early 1950s anti-comics hysteria eventually resulted in the cancellation of nearly all their books, EC Comics still had one thing going for them: MAD! Written by Harvey Kurtzman and drawn by some of the best comics artists of the age, this parody comic set the template for much that came after it. But can the humor still be appreciated today? What are we to think of some of the attitudes on display toward, say, women or certain ethnic groups? Tim and Kumar discuss.

#460 Poe-faced Corben

PoeRichard Corben has repeatedly adapted the works of Edgar Allan Poe — in fact, he’s drawn some of the same stories several times! Most recently he’s done the work collected in Dark Horse’s Edgar Allan Poe’s Spirits of the Dead.

How do his different versions of such works as The Fall of the House of Usher compare to each other? How has Corben enhanced Poe’s stories? Is reading Poe adapted as a comic a substitute for straight-up reading Poe? In general, is it harder to be scary in comics compared to other media? Kumar and Dana discuss.