#335 Teenage Love, Middle-age Lust

An experiment with magic brings a mummy to life! And… wow, is he a hunk! Dan Jolley and our friend Natalie Nourigat bring us Wrapped Up in You!

John is 40, in his second marriage, and still dealing with the fallout from the first, especially where his daughters are concerned. With a baby and two cats, he’s dealing with a lot of, er, poop — both literally and figuratively. Will he keep it together, or is that cute singer going to tempt him to mess up his life more? It’s Joe Ollmann’s Mid-Life!

Tim and Brandon discuss both books this week.

#334 “Magic Knight Rayearth”

Magic Knight RayearthIn the early ’90s, girls’ comics in Japan took a superheroesque turn with the appearance of Sailor Moon. It was shortly followed by CLAMP’S Magic Knight Rayearth, featuring three 14-year-old girls in a world that reminded them of RPGs.

A few years later, Tokyo Pop and other US publishers took the risk of releasing girls’ comics stateside, with unexpected success. Yes, American girls WILL read comics!

Manga critic Shaenon Garrity joins Tim to talk about the ’90s evolution of shojo manga and its debut in the States, and the place of Magic Knight Rayearth part 1 in that mix.

Calling For Super Corporate Heroes

Super Corporate HeroesSuper Corporate Heroes is a satirical comic that centers on a company called Superhero, Inc.  This company is a Fortune 500 company that has superheroes who save people in exchange for money.  Anyone who needs saved by the superheroes must pay these superheroes through rescue insurance.  This rescue insurance is expensive.  As a result of this expensive rescue insurance, only rich people have a better chance of being saved, while the poor people have less of a chance of being saved.  Also, the superheroes with the stronger powers earn more money and the superheroes with lesser powers make less money.  Super Corporate Heroes is the comic that made me think about what it really means to save people.

One of the superheroes who work for Superhero, Inc. is a mysterious hero called The Shroud.  The secret mission he is on makes this hero a very weird guy.  Another Superhero Inc. employee is American Icon, who is an indestructible playboy.  American Icon earns the most money due to the fact that he is indestructible and is the most called on for help.  There is also Ms. Titanium, who does a lot of work, but is under appreciated for her work.  Superhero, Inc also has a veteran worker called Major America, who has been fighting crime for a very long time.  Superhero, Inc. also has a worker who is the last of the Greek gods.  This god is named Olympia.  Finally, we have a superhero named Blue Collar.  Blue Collar has a low salary due to the fact that he has to pay child support and alimony.

The Superhero, Inc. heroes are soon challenged by evil super villains, who begin to destroy New York City.  This destruction of New York City sucks the workers of Superhero, Inc. into the super villains’ corruption.

Super Corporate Heroes is written and lettered by Suzy Dias.  The artist is Miguel Guerra, who also co-writes the comic with Suzy Dias.  The artwork is beautiful and is also sets the perfect mood for the mood of the comic.  The coloring of the artwork has a perfect balance between gloomy and bright.  This is good for a story that is satirical.  The content of this comic is dark, but is expressed with humor.

The first issue shows a burning building on the first panel.  The panel shows a man in a green shirt hanging off the building’s ledge.  He is holding on for dear life and is about to fall to his death.  He is yelling for help.  There is so much smoke that no one can see him.  As the man in the green shirt starts to give up, The Shroud shows and says, “looks like you could use some help.”  As the man in the green shirt thanks God that The Shroud came to his rescue, The Shroud says to the man in the green shirt, “first I need to explain the terms of our contract before I can legally rescue you.”

According to Superhero, Inc. $1000 gets one 5 rescues for a month and $6000 covers one for a year.  Once a person is saved, the superhero takes the saved person’s credit card.  Then, the superhero swipes the credit card with a portable swipe machine.  Then, the saved person is given a receipt.  After that, the saved person is sent a button in the mail.  The saved person has to wear this button to be saved again.

Both the people in danger and the superheroes are in rough situations in this story.  The poor people in danger don’t want to be treated like villains just because they can’t afford to be saved.  However, the superheroes want to make a living off of their talent and be able to have roofs over their heads and food on their tables.  Super Corporate Heroes is an interesting comic book that will make you think and laugh.

You can view the first issue of Super Corporate Heroes for free at www.7robots.com/comics.

#333 “Louis Riel”

Louis Riel

If you’re not Canadian, this week’s topic may be a bit of a head-scratcher. Louis, uh, who now? To Canadians, though, including our own Kumar and Dana, Riel is a famous historical figure of the 19th century who led a rebellion against the Canadian government. His story is the subject of Chester Brown‘s recent graphic novel which, while complete with end notes, also takes Shakespearean liberties with the historical record. And what’s up with the weird placement of characters on the page? An accident? No… nothing in this book is an accident.

#331 The End of the Road for “Cul de Sac”

As Richard Thompson’s strip Cul de Sac ends, Tom Spurgeon joins Tim to bid it a fond farewell. We discuss some favorite moments, compare it with other classic strips such as Peanuts, examine what Thompson (and any other relatively new creator of newspaper strips) has been up against as technology and economics team up against print media, and — Hey! Watch out for the UH-OH BABY!!

#330 “Doonesbury”: Polarizing and Unifying

Doonesbury castWhen Doonesbury started nearly 42 years ago, Garry Trudeau was a hot young property, the undergrad student cartoonist who spoke the language of “today’s youth”. Now age 64, Trudeau can hardly make that claim, but instead he can take credit for a monumental strip chronicling the lives of his many cast members and their lives growing old in the social and political environments of the late 20th and early 21st centuries. Tim and Kumar assess the strip’s legacy, discuss Brian Walker’s Doonesbury and the Art of G. B. Trudeau, and review the past year’s worth of strips.

#329 “Flex Mentallo” and related issues

Flex MentalloIs Flex Mentallo just a superhero story or is it something far more? Does it speak only to comic book fans or can it say something for everyone? Is it about childhood, adulthood, drugs, loss, hope, despair, the comic book marketplace, pain, healing, or all of these at the same time? And do you have to be on acid to understand Grant Morrison, or does it just help? Writer Troy Belford and indie cartoonist John Linton Roberson go on and on about all of this, and it’s a bit beyond the usual. Have a listen to this special mega-length episode…IF YOU DARE.

John blogs about Flex

#327 Two Tales of the Near East

Prince of Persia and HabibiCall it Orientalism, but Middle Eastern culture still carries a hint of romance in the Western imagination. This week, Tim and Brandon discuss two books in that vein:

Prince of Persia, by Jordan Mechner, AB Sina, LeUyen Pham and Alex Puvilland, coasts on notions of romance and intrigue in ancient Persia; meanwhile,

Habibi, by Craig Thompson, takes hold of Arabian Nights-type notions — as well as Islam — and uses them to express more universal themes.

#325 Alan Moore’s “Swamp Thing”

Swamp ThingDue perhaps to the passage of time, poorly handled reprinting by DC, or some other reason, Alan Moore’s writing stint on Swamp Thing in the 1980s does not seem to get mentioned much today. Which is a shame, because it ranks with Moore’s best work. And the art by Stephen Bissette and John Totleben (and able fill-in artists) is worth the price of admission by itself, not to mention Tatjana Wood’s colors.

Tim and Kumar had a blast reading the early issues of the run (#21-37) and are here to share the experience with you.

REVIEW: Supergods – What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human

By Grant Morrison

Spiegel & Grau 2011

Grant Morrison is a decisive subject in comics. Many love his work. Many love to hate his work. Many just don’t know what to think of him.

What Morrison delivers with Supergods is a unique text about comics. It is part history, part deconstructionist analysis, part personal memoir, part reflexive view of his own work. It is a varied and interesting book that provides some fascinating insight into his ideas about the superhero.

The book follows a basic chronological structure that is divided along 4 ages: Golden Age, Silver Age, Modern Age, and Renaissance (starting the late 1990s). He deconstructs covers of famous comics such as Action #1, Detective #27, and The Dark Knight Returns #1. Certain key characters and stories are reflected on. It is not really any unique ground that is tread as far as the history of comics is concerned, were it not for Morrison’s uncanny intellectualizing of the materials in a way that augments their historicism with a psychological attention reflection on the material. Continue reading REVIEW: Supergods – What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human