#785 “Berserk”: The Prosaic Past

Berserk pt 2

After covering the first four volumes of Kentaro Miura’s Berserk a few months back, Tim and Kumar decided to keep going. In volumes 5 and 6, the lengthy (volumes 3 to 14!) flashback to Guts’s origin story continues, but why does the flashback seem to exist in a magic-free world? In the early volumes, in the “present”, Guts was shadowed by an elf, frequently encountered ghosts and demons, and pulled off comically over-the-top feats with his huge sword. But the world of the flashback seems to be, with a few exceptions, a fairly realistic medieval Europe. The guys examine the difference and pick up hints of what comes next.

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#768 “Berserk” v. 1-4

BerserkBerserk abruptly ended when creator Kentaro Miura died two years ago, later resurrected by Miura’s assistants and his friend Kouji Mori. Neither Tim nor Kumar had read this violent, complex manga, but it lingered on our to-do list the past two years until a gag news story about who was going to wrap up Berserk (which Tim didn’t immediately recognize as a gag!) inspired us to take the plunge. What we found is an addictive manga that answers the question “What if Fist of the North Star were a fantasy “graphic medicine” comic about trauma?

Yup, Al Plastino did some “in case of emergency” Peanuts strips

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#764 “Past Tense”, Tough Translation, and Audio Drama

Past Tense

In the year 2038, invisible drones are sent to the past to pick up any event you want to see, if you have the money to pay for it. One woman using the service discovers a secret that puts her in danger in the present. Our friend Jason McNamara, author of such graphic novels as The Rattler and The Martian Confederacy, is back with the forthcoming Past Tense, his first work from Dark Horse, with art by Alberto Massaggia. Jason joins Tim to talk about the book, and then Kumar and Tim review it.

Kumar also fills us in on how his resignation as translator of Cipher Academy, a nearly untranslatable manga, went viral.

Also, Alex Squiers tells Tim about his audio drama The StarWell Foundation, in which a company which recruits superheroes and other celebrities to meet sick kids and the like, deals with one kid’s unusual request: they want to meet a villain.

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#746 Manga Mermaid Madness!

Merfolk

Patrick Ijima-Washburn (a.k.a. “Patrick W.”) has been doing some deep research on certain themes used in manga. Last year, he told us about scary cats in manga; this time it’s (mostly scary) mermaids — or, to be gender neutral, “merfolk.” Thinking it would be a topic easily covered, he was soon caught in a tsunami of manga fish-people, from adaptations of “The Little Mermaid,” to creepy human-like creatures that live in the water, Creature of the Black Lagoon style. He shares his findings here, focusing on merfolk in the works of (clockwise from left) Kazuo Umezu, Rumiko Takahashi, and Osamu Tezuka.

Patrick’s video about mermaids in manga

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#744 “Fist of the North Star”

Fist of the North Star

If you’re looking for over-the-top — way, way over — action and violence, then Fist of the North Star, by Buronson and Tetsuo Hara, is the comic for you! Kumar and Jordan breathlessly recount their experience reading the comic, which — despite the ridiculousness of the story — is done sincerely, not cynically.

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#734 Ron Randall, “Trekker,” and Decompressed Storytelling

Trekker

What’s creator Ron Randall been up to since we talked with him last? He’s continuing his comic Trekker, now 35 years since its inception, and is up to his seventh Kickstarter for the series. He’s back to talk about that, plus he and Tim talk about the rise of decompressed storytelling in American comics over the past few decades, what caused its rise, and its pluses and minuses.

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#719 “Demon Slayer”

Demon Slayer

The latest manga sensation is Koyoharu Gotouge’s Demon Slayer. Both the manga and the anime have broken records (including in theaters in Japan, during a pandemic) around the world, including in the U.S., where the film set all-time opening weekend record for a foreign language film. But Kumar’s son Ashwin, who reads manga like crazy, was slow to warm up to it. How does he feel about it now? Kumar and Emmet are joined by Ashwin to discuss the series.

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#710 Naoki Urasawa’s “Pluto”

Pluto

You’re probably aware of the Osamu Tezuka character Astro Boy (called Tetsuwon Atom in Japan). Starting in 2003, Naoki Urasawa (the creator of Monster) began his own take on a particular Astro Boy story in his series Pluto, as a murder mystery of sorts. The story includes plenty of robots, but is more concerned with portraying emotion and making a statement about war than any Asimovian rules about robot behavior. Does that approach doom the project? Kumar and Jordan review.

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#709 “Air Gear”

Air Gear
Shonen manga are known for putting their protagonists in systems that they must work their way up through in a series of competitions. In Air Gear, by Ito Ougure under the name Oh! Great, the competitions are races on gravity-defying inline skates. While this manga also includes some aspects that could be judged age-inappropriate, there is fun to be had here, too. DCP Patreon supporter Coleton joins Tim to discuss this manga, focusing on the first three volumes.

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#706 “Ping Pong”

Ping PongProlific manga creator Taiyo Matsumoto’s Ping Pong is, nominally, a sports manga, but it doesn’t stick to the tropes. It presents table tennis matches that take place in a small town, not at a major tournament in Tokyo; often it doesn’t even show the end of a match! In some ways it functions as a parody of the genre. Kumar and Dana discuss this fun and unpredictable manga.