Deconstructing Comics Podcast, published every Monday, features comics creator discussion and comics reviews.
FLASHBACK! Paul Karasik and David Mazzucchelli’s comics version of City of Glass, a 1985 novel by Paul Auster, is an amazing adaptation of an unfilmable novel. Tim and Kumar assess the herculean task of adapting it, in probably the only medium capable of doing so: comics! We re-present this episode in observance of Auster’s passing on April 30 at age 77. Originally published February 16, 2009.
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Kentaro Miura’s Berserk can be upsetting, fascinating, offputting, incredible, and even sometimes a bit comedic, as Tim and Kumar have found over the past several months. All those qualities appear again in volumes 11 and 12, as the story of the extended flashback reaches its climax with Griffith’s horrific accession to the God Hand. Join us as we discuss the cartoonish violence of volume 11 and the epic horror of volume 12.
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What did Marvel expect Jack Kirby to do with a 2001: A Space Odyssey series? Especially when they told him not to create any ongoing characters? What we got included the Monolith and the Star Child, but with unmistakable Kirby bombast. After concluding his story of superhero-obsessed Harvey Norton in issue 6, and a one-shot exploration of what happens after becoming a star child in issue 7, for the final three issues Kirby seems to have abandoned not only his instructions to create no ongoing characters, but also nearly any references to the 2001 world of Arthur C. Clarke and Stanley Kubrick! The story went all-the-way Kirby with the introduction of a new superhero, Mister Machine, later known as Machine Man! Tim and Emmet look at 2001‘s concluding five issues.
“The Crazy Legacy of Jack Kirby’s Forgotten 2001: A Space Odyssey“ (Wired.com)
Read the 2001 series on Archive.org
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As Jack Kirby’s adaptation of the movie/novel 2001: A Space Odyssey sold well, Marvel asked him to turn it into a series — but then tied one hand behind his back by asking that he not create ongoing characters for fear they’d become property of MGM rather than Marvel. As Tim and Emmet see in the first half of the series, it starts out as theme and variations on Dave Bowman’s transformation into a Star Child, but the variations become more elaborate and interesting as he goes.
“The Crazy Legacy of Jack Kirby’s Forgotten 2001: A Space Odyssey“ (Wired.com)
Read the 2001 series on Archive.org
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Critiquing Comics returns, with a comic that we just couldn’t put down, and one that we couldn’t quite pick up on! Jason joins Tim to discuss Rebirth of the Gangster: The Complete Collection, a crime novel with incredible forward momentum by Writer CJ Standal and Artist Juan Romera. Then Adam and Tim critique Toe & So Long, a rather cosmicky, rather AdventureTimey comic created by Jacob Michael Campbell with art by Alexis Vivallo.
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The character of Swamp Thing originated in House of Secrets #92 in 1971, drawn by Berni Wrightson and written by Len Wein. That story served as a first draft for the real origin story in Swamp Thing #1, with the same creative pairing. This week, Tim is joined by writer for CBR and Screen Rant Ashley Land to discuss the collection Swamp Thing: The Bronze Age vol. 1!
Crowdfunding campaign for Ashley’s comic The Unbreakable Argonauts #1
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Batman and the Outsiders was one of DC’s top sellers in the 1980s. This time, Tim is joined by John Trumbull to take a close look at the second volume of the series, which includes the reveal of Halo’s origin, exploration of Metamorpho’s, the 1984 L.A. Olympics, time travel, and more. Don’t forget the Mike W. Barr wordplay and great Jim Aparo art!
Tim and John discussed the first volume of the series here.
John writes for Back Issue magazine (and is an admin on their Facebook group) and co-hosts the SNL Nerds podcast.
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Kentaro Miura’s Berserk can be confounding. Reading volumes 9 and 10 prompts us to ask “Just what genre IS this comic, anyway?” While it still has plenty of over-the-top action and violence, it also has gratuitous sex, comedy, and even some horror elements. And now we finally have hints toward why the “present” of volumes 1-3 had so many magical elements that have been mostly missing from the ongoing flashback. Tim and Kumar ask “Could it be the magic at last?”
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After the gravitas of Avengers: Infinity War, which ended in a blaze of glory only for the villain, what did we want next? A fun, lighthearted romp of a movie. Right? No? Well, that’s what we got and this movie is certainly fun. But it doesn’t resolve a single thread from Infinity War. Mulele struggles to avoid spoilers for Tim as we review Ant-Man and the Wasp! (Originally published on Patreon February 1, 2020)
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FLASHBACK! Though the highly influential manga series, and resulting TV show, are known for non-stop action and fighting, Dragon Ball started out as a comedy strip reminiscent of Akira Toriyama‘s early work, Dr. Slump! Viz’s English versions have gone through various levels of censorship over time to adjust to the low level of sexuality that most Americans expect of kids’ books. Except, most of the characters themselves don’t understand sexuality, and that’s the charm of it; it’s best enjoyed (probably by kids as well) in its pristine form…if you can find it!
In memory of Akira Toriyama, we re-present our review of the original Dragon Ball series. Tim, Kumar, and Mulele review. (Originally published August 16, 2010.)
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Visual censorship comparisons after the jump (NSFW but probably safe for Japanese kids):
