What’s creator Ron Randall been up to since we talked with him last? He’s continuing his comic Trekker, now 35 years since its inception, and is up to his seventh Kickstarter for the series. He’s back to talk about that, plus he and Tim talk about the rise of decompressed storytelling in American comics over the past few decades, what caused its rise, and its pluses and minuses.
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The latest manga sensation is Koyoharu Gotouge’s Demon Slayer. Both the manga and the anime have broken records (including in theaters in Japan, during a pandemic) around the world, including in the U.S., where the film set all-time opening weekend record for a foreign language film. But Kumar’s son Ashwin, who reads manga like crazy, was slow to warm up to it. How does he feel about it now? Kumar and Emmet are joined by Ashwin to discuss the series.
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You’re probably aware of the Osamu Tezuka character Astro Boy (called Tetsuwon Atom in Japan). Starting in 2003, Naoki Urasawa (the creator of Monster) began his own take on a particular Astro Boy story in his series Pluto, as a murder mystery of sorts. The story includes plenty of robots, but is more concerned with portraying emotion and making a statement about war than any Asimovian rules about robot behavior. Does that approach doom the project? Kumar and Jordan review.
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Shonen manga are known for putting their protagonists in systems that they must work their way up through in a series of competitions. In Air Gear, by Ito Ougure under the name Oh! Great, the competitions are races on gravity-defying inline skates. While this manga also includes some aspects that could be judged age-inappropriate, there is fun to be had here, too. DCP Patreon supporter Coleton joins Tim to discuss this manga, focusing on the first three volumes.
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Prolific manga creator Taiyo Matsumoto’s Ping Pong is, nominally, a sports manga, but it doesn’t stick to the tropes. It presents table tennis matches that take place in a small town, not at a major tournament in Tokyo; often it doesn’t even show the end of a match! In some ways it functions as a parody of the genre. Kumar and Dana discuss this fun and unpredictable manga.
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There’s a history of horror manga featuring cats, especially humans with cat features. What are some of the prominent titles in this genre? Where does this come from? Patrick has been studying this association and is here to tell us about some of the prominent titles, including Shigeru Mizuki’s Mysterious Neko Musume (featuring a character later modified for Mizuki’s Ge Ge Ge no Kitaro) and Kazuo Umezu’s Cat Face, The Girl with Cat Eyes, and Cat-Eyed Boy.
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The Law of Equivalent Exchange: Tim and Patrick discuss Fullmetal Alchemist chapter 4, which features both scary violence and violence for laughs. Why is Ed sleeping at his desk on the splash page? Plus, volume 1 back matter explained!
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Way back in 2014, Tim and Mulele discussed the first volume of R.u.N. (Remember Ur Nature), a comic in shonen manga style about the sport of parkour. Now, at last, volume two is available, and Tim is joined by a new voice, Ryan Carey of SOLRAD, to discuss the book (by Kariofillis Chris Hatzopoulos, Rafail Voutsidis, Luis Figueiredo, Roberto Fernandes De Oliveira, and Vasilis Fotsinos). The comic is a spot-on imitation of shonen manga made in Japan — but is it good?
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Is it comedy or violent action? Delivering fan service or gross-out scenes? Who are the good guys and who are the bad guys? Perceptions and expectations are constantly flipping in Q Hayashida’s Dorohedoro. Kumar and Emmet review.
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Tim and Patrick discuss the third chapter of Fullmetal Alchemist, “The Mining Town.” Why are alchemists hated as “the dogs of the military”?
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