George Wylesol’s 2120 is a choose-your-own-adventure horror graphic novel that blocks your progress and punishes the reader for cheating. Kumar and Emmet found it disturbing and fascinating. This week, they present their review.
Wylesol interview from The Migratory
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What’s it like to be trans AND have Dissociative Identity Disorder? What’s it like to have a therapist who doesn’t have enough training to really help you? Emma Grove has experienced this and has produced an engaging memoir graphic novel, The Third Person, which exhibits an amazing memory for detail and a sharp understanding of the comics medium. Tim and Kumar review.
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Christiania, a silent comic written by 13-year-old Abi Behe, is a take on the ills of social media by someone who has never lived in a world without online culture. But silent comics can be a storytelling challenge. How did artist Taka do on getting the story across? This time, Tim and Jason critique Christiania.
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Kirt Burdick is back with the second issue of his hyper-violent science fiction comic Galacto: Pit Fighter, “Requiem for a Humanzee.” It’s good and bloody, but is it bloody good? Tim and Adam critique.
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After he left DC Comics, but before he returned to produce Even Gods Must Die and The Hunger Dogs, Jack Kirby produced a sort of substitute Fourth World story called Captain Victory and the Galactic Rangers, which was eventually published by Pacific Comics in 1981 and 82. Two Morrows publishing in 2003 released what it calls the Graphite Edition of Captain Victory, presenting Kirby’s photocopies of his pencils of the proposed 50-page Captain Victory graphic novel. This time, Emmet and Tim discuss the Graphite Edition and what Captain Victory tells us about Kirby and the Fourth World.
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“A biker revenge tale” isn’t a story pitch that appeals to everyone, but any kind of story can get a thumbs up if it’s well-done! This time Tim and Adam discuss the first four issues of Mayfield Eight, written and illustrated by Tim Larsen.
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A few weeks back, Tim and Jason discussed Sean Lewis’ Immortalis— issue 3. This time, we’re reading the first two issues, and grasping, in some ways, why he made issue 3 first. But if you need to start with issue 3 to hook readers, isn’t that indicative of a problem with the first two issues?
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What happens when a group of people must work in the middle of nowhere, with virtually no supervision or accountability? Generally it’s not a good situation, as Kate Beaton, now well-known as the creator of the web comic Hark! A Vagrant, found in her younger years when she got a job on Alberta’s oil sands. This week, Kumar and Dana discuss her memoir of the experience, entitled Ducks: Two Years on the Oil Sands.
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A supernatural western, Holy West, captivates Tim and Adam in this episode. The comic features smart writing by Seth Jacob and beautiful art by Daniel Irizarri. Now that we’ve given away whether we liked it, listen to the show and check out the comic!
Lettering tips from Nate Piekos
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“TIM CATCHES UP WITH THE MCU” continues: Peter Quill (whose name we both blanked on while recording the show!) and the gang are back (yeah, BACK in 2017) and Tim (feeling encouraged by being a mere 2.5 years behind on MCU movies) and Mulele discuss the film. And Star Wars.
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