What are some advantages and disadvantages of comics as a medium? How can you show lack of motion in a comic? Is the lack of sound in a comic ever an advantage? How do you keep yourself going when you’re afraid that your work isn’t good enough? This and more this week with three Tokyo-area artists: Grace Mineta, who’s having considerable success with her Texan in Tokyo comics and YouTube channel: Pei-in Wu, a Taiwanese artist who’s juggling comics with a day job; and Yu Ohmura, who self-publishes comics about his travel experiences.
Some samples of Yu Ohmura work:
On the left side of the photo below is the girl falling in the snow, described by Yu during our discussion of showing movement (or lack thereof)
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The daily strips on 
Nao Yazawa
This week, an interview with Frank Santoro, who 
Anthropomorphized cats in a Pulp Fiction-style shootout; a tiny man found sleeping in the grass; two people hiding in an abandoned restaurant during some catastrophic event. These were some of the one-page, where’s-the-rest-of-it scenes in Ian M‘s 
Our frequent guest 
American comics fans were introduced to Ken Niimura back in 2010, when his art appeared in the Image miniseries I Kill Giants, written by Joe Kelly. Since then, Ken’s work has been seen in some short Spider-Man stories, and more recently, his book Henshin, which just came out in English from Image.