Skim is a coming-of-age graphic novel written by Mariko Tamaki, and drawn by her cousin Jillian Tamaki. Jillian works primarily in the field of illustration; how does she find that different from drawing a comic? Is it wrong to say that a comic is “illustrated”? She also discusses her perhaps unorthodox collaboration with Mariko on Skim, and reviews of the book that see meanings in it that were completely unintentional, in this interview.
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Osamu Tezuka’s “Apollo’s Song” came out in 1970, about the same time as “Ode to Kirihito”. It explores issues of love, sex, and death. How does this “adult” work of Japan’s God of Comics stack up against the masterwork “Kirihito”? Tim and Kumar review.
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FLASHBACK! Osamu Tezuka is Japan’s “God of Manga.” Ode to Kirihito may be one of the reasons. Tim and Kumar review.
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Rumiko Takahashi is Japan’s leading female cartoonist and has created series that are loved the world over. Tim and Kumar discuss two of her series: “Ranma 1/2”, about a gender-switching martial arts master, and “Inuyasha”, about a 16th-century demon, a 20th-century high school girl, and a powerful jewel.
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A review of Web comic Dead Heaven by Chris Steininger leads into a discussion of Tim’s pet peeves about Web comics. Tim’s been reading the pirate manga series One Piece, and Mulele recommends a site centering on print design, that could inspire unusual ways to present your comic.
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8/3/09 Awesomeness in Bolt City
Kazu Kibuishi’s Bolt City Web site is a smorgasbord of awesomeness, featuring the monthly strip Copper, early work Clive Cabbage, first pages of his book Daisy Kutter, and how-tos for working on scanned art in Adobe PhotoShop. Kibuishi is also the editor of a series of anthology comics called Flight. Tim and Mulele review the site and the first volume of Flight.
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This is what happens when the geeks get old enough to run companies. And governments.
Tokyo has recently unveiled a to-scale statue of one of the giant robots from the “Gundam” comic series, on the man-made island of Odaiba in Tokyo Bay.
Not to be outdone, the city of Kobe (pronounced “KO-bay”, by the way) is working on a (to-scale, of course) iron figure of an earlier giant robot, Tetsujin 28. The linked page includes video of the manufacture of the “robot” and of the TV cartoon from 1963. By the way, this cartoon got some play in the US and other countries three years later, as “Gigantor“.
Not unrelated, Japanese Prime Minister Taro Aso is trying to spend government money to build a Manga Museum. Aso being about as popular with the Japanese public as month-old bananas, it’s not too surprising that the opposition, led by Yukio Hatoyama, is bludgeoning him with this example of “wasteful spending”.
Guess Hatoyama wasn’t much of a manga reader.
(Photo from dannychoo.com)
Check out this listener’s comic. Mike Kloran, who’s also based here in Japan, has done some comics (with a rather bizarre sense of humor) and spot illustrations.
On a business trip to Yamaguchi Prefecture recently, I happened to see this bus, decorated with Shima Kosaku panels! Coincidence that Mulele and I had just recorded a podcast where we talked about this comic!
Continue reading Bound for promotion on the Shima Kosaku bus!
7/13/09 Our local comics, and “Local”
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Who is Company President Shima, and why do some committed Japanese fans try to imitate his life? Why on earth would anyone create a wine-tasting comic? The answers to these questions and more as Mulele and Tim flip through the latest issue of Japan’s Morning Comics. |
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Love her, hate her, or… don’t really care about her, Megan McKeenan’s North American journey in Local, by Brian Wood and Ryan Kelly, is worth discussing. Was there a point to the exercise? Tim and Brandon ponder. |
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