One of Kirby’s late efforts at DC was OMAC: One-Man Army Corps, which focuses on “the world that’s coming”: what miracles, and horrors, technology would bring. Of course, some of it seems ridiculous, but other parts seem prescient. Tim and Emmet discuss the book’s crazy Kirby concepts — or are they crazy?
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Jack Kirby reaches the end of his writing run on Kamandi: The Last Boy on Earth. After top-shelf stories about a Soviet spacecraft and an “eviction battle” in a resort hotel with crocs in the pool, Kirby’s swan song leaves something to be desired, with an … uncomfortable plot point, and myriad threads dangling. Tim and Emmet discuss the good, the bad, and the downright ugly.
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As we continue through Jack Kirby‘s 1970s issues of Kamandi: The Last Boy on Earth, Tim and Emmet keep slowing down! In this episode, nearly 30 minutes go into discussing Kamandi’s encounter with Superman’s (inexplicably undamaged) costume, and so only three issues, 29 through 31, are examined, but what issues they are! Kirby also references Gulliver’s Travels here, and… wait, didn’t we see this on a Queen album cover? Well, it’s not quite that simple….
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While Kamandi‘s exorcism story in issue 24 leaves something to be desired, never mind that: the subsequent four issues, as discussed in this episode, deliver the kinds of interesting concepts we’ve come to expect, as Kamandi and Ben visit the Dominion of Devils, fight Sacker’s Co. and their environment-destroying activities, and find out what the intelligent animals of Europe have been up to. Oh, and there are flying sharks!
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In this segment of Jack Kirby’s Kamandi series, we visit a version of 1920s Chicago that seems to be drawing on, or prefiguring, various other pop culture stories, and then move on to Monster Lake, home of intelligent, talking — and sometimes romantically inclined! — dolphins and killer whales. Kirby’s war experience again figures in a story, perhaps a fantasy about what he’d have liked to say to a warmongering general. Tim and Emmet try to get their sea legs for some very wet stories.
 Jack Kirby, from Kamandi issue 1 |
 Don Ahe |
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This week we continue our look at Jack Kirby’s run on Kamandi, another of the DC properties he created. Tim and Emmet find that issues 11 through 18 include a giant insect, a violent horse race, another standout issue in the mode of issue 7’s King Kong story, a clue as to how the animals became intelligent, and more.
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If you can’t get the rights to Planet of the Apes, do the next best thing: get Jack Kirby to come up with a concept that’s Apes-adjacent! That was DC Comics’ strategy in the early ’70s. What resulted was Kamandi: The Last Boy on Earth, a series with multiple intelligent animals lording over caveman-level humans, and plenty of sci-fi elements and references to the Apollo program and other features of real life in that era. Join Tim and Emmet exploring the significance of the multiple intelligent mammals, the Kamandi drinking game, and more.
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In most time travel stories, there’s an imperative to fix any paradoxes created by the time travel. But in Rachel Pollack and Chris Weston’s Time Breakers, paradoxes are embraced rather than explained away or repaired. This week, Kumar and Emmet discuss this five-issue 1997 miniseries, the most popular series of DC’s canceled imprint Helix.
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John Morrow is co-founder of Two Morrows Publishing, a company that owes its start to John’s interest in Jack Kirby. His Kirby fan newsletter grew into the company that’s now publishing his history of Kirby’s Fourth World, much of it told in Jack’s own words: Old Gods and New. This time, Emmet talks with John about Marvel’s fear that DC would end them after Kirby switched sides, how distribution quirks may have led to the premature end of the Fourth World books, how myth runs through all of Kirby’s work dating back to the ’30s, and more.
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In the mid-’90s, Grant Morrison’s innovative run on Doom Patrol was followed by that of Rachel Pollack, who took advantage of Morrison’s legacy, the greatest variety of sexual minority characters of any mainstream comic at the time, to express her feelings about being trans and a lesbian herself. Her run also examines a number of standard comic book tropes. This run, which was far ahead of its time, has been unavailable in a collection for some time, but these issues (64 to 87) are finally to be made available this month in an omnibus. Kumar and Emmet discuss this gender-bending run.
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