This week we continue our look at Jack Kirby’s run on Kamandi, another of the DC properties he created. Tim and Emmet find that issues 11 through 18 include a giant insect, a violent horse race, another standout issue in the mode of issue 7’s King Kong story, a clue as to how the animals became intelligent, and more.
Brought to you by:
Podcast: Play in new window | Download
If you can’t get the rights to Planet of the Apes, do the next best thing: get Jack Kirby to come up with a concept that’s Apes-adjacent! That was DC Comics’ strategy in the early ’70s. What resulted was Kamandi: The Last Boy on Earth, a series with multiple intelligent animals lording over caveman-level humans, and plenty of sci-fi elements and references to the Apollo program and other features of real life in that era. Join Tim and Emmet exploring the significance of the multiple intelligent mammals, the Kamandi drinking game, and more.
Brought to you by:
Podcast: Play in new window | Download
In most time travel stories, there’s an imperative to fix any paradoxes created by the time travel. But in Rachel Pollack and Chris Weston’s Time Breakers, paradoxes are embraced rather than explained away or repaired. This week, Kumar and Emmet discuss this five-issue 1997 miniseries, the most popular series of DC’s canceled imprint Helix.
Brought to you by:
Podcast: Play in new window | Download
John Morrow is co-founder of Two Morrows Publishing, a company that owes its start to John’s interest in Jack Kirby. His Kirby fan newsletter grew into the company that’s now publishing his history of Kirby’s Fourth World, much of it told in Jack’s own words: Old Gods and New. This time, Emmet talks with John about Marvel’s fear that DC would end them after Kirby switched sides, how distribution quirks may have led to the premature end of the Fourth World books, how myth runs through all of Kirby’s work dating back to the ’30s, and more.
Brought to you by:
Podcast: Play in new window | Download
In the mid-’90s, Grant Morrison’s innovative run on Doom Patrol was followed by that of Rachel Pollack, who took advantage of Morrison’s legacy, the greatest variety of sexual minority characters of any mainstream comic at the time, to express her feelings about being trans and a lesbian herself. Her run also examines a number of standard comic book tropes. This run, which was far ahead of its time, has been unavailable in a collection for some time, but these issues (64 to 87) are finally to be made available this month in an omnibus. Kumar and Emmet discuss this gender-bending run.
Brought to you by:
Podcast: Play in new window | Download
After leaving DC’s Jimmy Olsen book, Jack Kirby needed something else to keep his monthly page count up to the level he had contracted for. One of the books he came up with was The Demon, the result of his being asked to do a “monsters and mystery” book. But Kirby didn’t have a lot of interest in that genre; was that to the disadvantage of the book, or to its advantage? Tim and Emmet discuss this 16-issue series.
Brought to you by:
Podcast: Play in new window | Download
While Netflix’s Sandman series has gone over well with many fans, not everyone is pleased. This week Emmet talks with comics commentator Elizabeth Sandifer, who has found the series to be vastly inferior to the original comics, and gives us her reasons in a very entertaining and informative way.
Brought to you by:
Podcast: Play in new window | Download
Crisis on Infinite Earths was an attempt by Marv Wolfman and George Perez to clean up DC Comics continuity and make the publisher’s line more reader-friendly. The story showed the Anti-Monitor trying to eliminate all of the many versions of Earth that had appeared in DC stories, and the few surviving Earths ended up merged into one. Numerous characters didn’t make it through the story alive; characters whose original, defunct publishers had been absorbed by DC now found themselves to be native to Earth-1. Tim, on a drive to understand more about the DC Comics he passed by in his youth, is joined by longtime DC reader Professor Alan to look at why this event happened, why it still matters, and what it reveals about the difference between DC and Marvel.
Brought to you by:
Podcast: Play in new window | Download
Jack Kirby’s final Fourth World story is the 1984 graphic novel The Hunger Dogs, which continues some of the themes we saw in Even Gods Must Die, such as the encroachment of technology. Tim and Emmet complete their reading of the Fourth World and ponder how aware George Lucas may have been of the New Gods.
Brought to you by:
Podcast: Play in new window | Download
In 1984, ten years after the last of Jack Kirby‘s Fourth World books was canceled, Kirby was brought back to do a brand new New Gods story in the final issue of a series that had been reprinting the original series. The story, Even Gods Must Die, is typical Kirby Fourth World: alternately horrifying and goofy, with sly commentary on the encroachment of computerized automation of life, and also, perhaps, on the very fact that DC was having him back. Tim and Emmet discuss the penultimate chapter in Kirby’s Fourth World.
Brought to you by:
Podcast: Play in new window | Download
