The comedy/sci-fi web comic Power Nap takes place in a future where people take drugs to stay awake, and falling asleep isn’t socially acceptable. So what happens if you’re allergic to the drug? This week, Tim talks to writer Maritza Campos and artist Bachan about the comic, as well as the state of comics in their native Mexico, how the comics industry is likely to change, and more.
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Many of us are good at making our work (comics, podcasts, what have you), but not good at putting it out there, letting people know it exists. Mulele has been advising his friend Oscar, creator of the comic Kai (discussed in Critiquing Comics #100), on using social media and on choosing the best presentation style for a given book. This week, Tim talks with Oscar about his opening foray into comics, and Mulele talks about designing books and finding printers that can produce what he envisions.
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When webcomics creators aren’t creating webcomics, what are they reading? This week we check in with a couple of creators whose work we’ve looked at previously — Victor Edison and Maya Kern — and get their recommendations: Chris Carlier’s “Little in Japan” and G.G. Digi’s “Cucumber Quest“!
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SP4RX is Wren McDonald‘s first full-length graphic novel, a cyber-punk story that fondly remembers “the future of the past”. This week Wren talks about world building in SP4RX, his process, work-life balance, and more. Support Deconstructing Comics on Patreon to hear more of this interview!
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FLASHBACK! Recently our podcast covered Charles Burns’ Black Hole for the second time. So what did the first time sound like? Here it is, featuring Tim and Brandon. In the style of the early episodes, we spend part of the show analyzing Burns’ book through the lens of Scott McCloud’s Making Comics, chapter three: The Power of Words.
Originally published March 26, 2007
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Fantagraphics is a comics publisher that got by on a shoestring for decades, in service of its mission to prove that comics could be equally as literary and adult as film, novels, or any other storytelling medium. Eventually, Fantagraphics’ flagship publication, The Comics Journal, became the go-to magazine for reviews of noteworthy comics and hard-hitting interviews of their creators.
After more than a decade of work, Tom Spurgeon and Michael Dean have published (through Fantagraphics, of course) a history of the company, called We Told You So: Comics as Art. This week Tom, himself the former Managing Editor of The Comics Journal, is here to talk about Fantagraphics and the work and decisions that went into writing its history.
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Somehow, Critiquing Comics is up to 100 episodes! Tim and Mulele mark this occasion by discussing a bunch of comics picked up at New York’s MoCCA Festival and Tokyo’s Kaigai Manga Festa.
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Continue reading Critiquing Comics #100: Comics from Conventions!
Part two of our roundup of creators who tabled at this year’s Kaiga Manga Festa, including talks with Graeme Mc Nee, Matthew Forsythe, Karl Kerschl, and our own Mulele!
Creators show their work to editors at Comitia, the larger festival alongside Kaigai on October 23, 2016
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It’s time for another Kaigai Manga Festa roundup! This year’s international comics festival in Tokyo was held on October 23 at Tokyo Big Sight, alongside the Comitia festival as always. Tim caught up with some familiar faces and met some new ones as well!
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When Dan Piraro started his cartoon “Bizarro“, some of the factors you might expect were involved in the decision, but the Superman character wasn’t one of them! Dan wasn’t into superhero comics; in this episode we hear the rather, er, bizarro story of how he learned of his strip’s non-namesake (it involves Jerry Seinfeld!); how The Far Side blazed a trail for Bizarro (not in the way you might think!); if having a syndicated comic is still a good deal (if, in fact, it ever was); his forays into fine art, vaudeville, and coloring books; and much more.
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