In the early ’90s, Alan Moore and Eddie Campbell’s From Hell, based on the true story of Jack the Ripper, was published in issues, and collected in 1999. Kumar and Dana find that, upon re-reading (or re-re-re-reading), new questions still arise. What’s the story about? Why does the killer sometimes come off as a wise prophet? Many scenes are simply puzzling and need sufficient time to unpack. And then there’s the Star Wars reference…
Also this week, Kumar and Mulele discuss their upcoming Kickstarter project for Weird Crime Theater!
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Joe Sacco is surely THE trailblazer in the area of using comics as a medium for journalism; his work reads like a documentary film, or a remote report on the evening news. At his best, such as in Safe Area Gorazde, he not only gets you much more emotionally involved than the evening news ever could, he takes advantage of the medium to communicate in ways that video can’t. At the same time, he pulls back the curtain on how the presence of a journalist affects the actions of those around him.
In one of our longest episodes ever, Kumar discusses at length Garth Ennis’s epic run on The Punisher, the greatest comic book series of the 2000s. Dana listens and nods politely.
As it’s widely regarded as one of the best comic book series of all time, Dana and Kumar try their best to rekindle their love for Neil Gaiman’s SANDMAN nearly twenty years after its conclusion, only to find the plotting leaden, the art inconsistent, and the world-building frustrating. Has time stripped the series of its lustre, or are these two jerks just too old for it?
You’ve probably heard of Helen Keller, one of the first (but not the first!) blind & deaf Americans to become educated. If so, then you probably also know the name Annie Sullivan – Helen’s teacher. Annie Sullivan and the Trials of Helen Keller, by Joseph Lambert, is a graphic novel biography more of Annie than Helen, taking advantage of the comics medium to show symmetry in the lives and situations of the two women. It’s also pretty awesome.
