Critiquing Comics #180: “SpiderForest Webcomic Anthology 4”

Spider Forest

Last episode, we mentioned how writing a short, tight story can be more challenging than writing a sprawling epic. Right on cue comes Spider Forest Webcomic Anthology 4, an engaging collection of short comics by 17 creators of web comics. Tim and Mulele discuss which are the best (and which are merely good!), and whether perhaps some of these stories are a little too short.

Spider Forest Kickstarter – beginning October 12, 2020

Critiquing Comics #179: “The Solar Grid”

In a flooded New York City of the future, a corporate whistleblower is in a hurry to skip town. Tim and Mulele wish they understood more about the plot of The Solar Grid issue 1, by Gazeer, but this issue is more concerned with the comic’s world than its plot. So we critique what’s there!

Critiquing Comics #178: “Terminal Velocity”

Terminal Velocity

Terminal Velocity is a comic by Barry Corbett in which he reminisces about his life, centering around extreme sports and a family tragedy. While there is an overall story, the book can seem a bit disjointed. Tim and Mulele discuss the pros and cons of the book; then Mulele challenges himself and his friends: Let’s actually make some paper comics again!

#673 Kismet, Man of Fate

Kismet

He first appeared in 1944, the Algerian super-hero who fought for the World War II Allies: Kismet, Man of Fate! The first known Muslim superhero, he appeared in all four issues of a series called Bomber Comics. Then the series was cancelled and Kismet was forgotten, until 2014 when the character, freshly out of copyright, was revived in stories by writer A. David Lewis and artist Noel Tuazon. In this episode, Lewis talks with Tim about the history of the character and the revival, and then Will Weaver joins Tim to review the revival book, Kismet, Man of Fate, vol 1: Boston Strong.

Critiquing Comics #177: “Genius Animals?”

Back in the early days of the podcast, artist Jun-Pierre Shiozawa was one of our first interviewees. He recently resurfaced as artist on a comic written by sitcom writer and producer Vali Chandrasekaran called Genius Animals?, a comedy story about conspiracy theories. In this episode, Tim talks to the two of them about how they met and the origins of the script, and then Tim and Mulele critique the comic.

Critiquing Comics #176: “Miskatonic High”

Miskatonic High

This time our comic is Miskatonic High, by Mike Shea and Ryan Mendoza. The comic features high school students who have creepy adventures. If you’re into H.P. Lovecraft, you’ve probably recognized that this comic is referencing his work. Does the comic do enough to bring the non-Lovecraft-fan onboard?

Critiquing Comics #175: More from David Dye

Cut Down

This time we look at some of the latest work by one of our favorites, David Dye: The forthcoming Bush Fire, and two stories written by Roger Stitson, Tales of the Blue Sage and Cut Down.

Critiquing Comics #174: “Caged Birds”

Caged Birds

A couple of years back, we critiqued Caravaggio: A Light Before the Darkness, written by Ken Mora. This time, Ken is here on the show, talking to Tim about his latest (with artist Gianluca Testaverde), Caged Birds. Then, Tim and Mulele critique the first two issues.

Critiquing Comics #173: “Weasel”

Starting in 1999, Dave Cooper (accompanied at first by Patrick McEown) had a collection of work published by Fantagraphics as a magazine called Weasel. The magazine featured Cooper’s story “Ripple”, later published in one volume. “Ripple” is a disturbing story, masterfully told; we hope Cooper is not lying that it’s “not autobiographical,” but for fiction it’s remarkably detailed and heartfelt. In this episode, Tim and Mulele explore the first five issues of Weasel.

WARNING — ADULT CONTENT

Critiquing Comics #172 “Adventures of God”

All comedy comics about God are not created equal! Teo and Corey’s Adventures of God is funny at times, but does it measure up to the hilarious, irreverent Holy F*ck? Comparisons aside, does it live up to its potential? Tim and Mulele discuss.

Also: Is Deconstructing Comics doing enough to promote diversity in comics?