Deconstructing Comics Podcast, published every Monday, features comics creator discussion and comics reviews.
Neil Gibson is back! Tim and Mulele have discussed his Twisted Dark anthology series more than once, and Koom once interviewed him for DCP at a London con. His new two-part graphic novel Theatrics, with art by Leonardo Gonzalez, is the best work we’ve seen from him to date. Tim and Adam critique.
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You may be puzzled by a book titled Lights, Planets, People; we certainly were. But when we read it, we found that Molly Naylor and Lizzy Stewart’s graphic novel is a story with multiple levels, communicated in multiple ways, including through the shifting art style and color palette. It’s a book about an astronomer who is dealing with several issues, including bipolar disorder. Tim and Emmet recount the experience.
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Although it’s currently only available digitally, Adora and the Distance, by Marc Bernardin, Ariela Kistantina, Bryan Valenza, and Bernardo Brice, has garnered a fair amount of mainstream attention (Vanity Fair, Syfy) — reportage that doesn’t even seem aware of the fact that it’s spoiling the book’s twist ending. Of course, we’ll have to spoil it in this episode as well (though we’ll warn you first!). But, might it have been better to reveal that information at the start of the book, anyway? Tim and newcomer Rachelle Meyer (whose book was previously discussed on this show) critique.
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Continuing with “How Much Stan Can You Stand?”, this time Tim and Emmet take on Stan Lee’s 2002 memoir (with George Mair), Excelsior! The Amazing Life of Stan Lee. How does it differ from his later memoir Amazing Fantastic Incredible?
Have you had all the Stan you can stand? Or should we review more books on The Man? Let us know in the comments!
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NK Jemisin and Jamal Campbell‘s Far Sector takes the Green Lantern concept (it’s published by DC) to comment on race relations and the police. Emmet and Kumar discuss the book’s storytelling strategy; whether main character Jo has made a believable choice in becoming a (space) cop; compare novelist Jemisin to other prose writers who have taken on writing comics; and more.
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Two bounty hunters are recruited for another job. A woman is seen topless, numerous people get their brains blown out, men and women get amorous on a hair-trigger, and quips and oddball observations are the order of the day. A ’90s Tarentino-esque film? No, it’s graphic novel .357 Magnum Opus, by Ghezal Omar with art by MingChen Shen. Tim and Jason come in with guns blazing.
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It’s been a long time since Tim “caught up with the MCU” in our Patreon podcast series with Mulele; certainly longer without an MCU film than anyone intended it to be! But at last, Black Widow is out. How does it stack up against the movies that have gone before? Tim and Mulele are back to sift through the Red Room wreckage.
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Amazing Grace is a Webtoon comic by Shane Berryhill and Mike Salter, featuring sword fights with Dracula, women with plunging necklines, and, sometimes, chapter endings that lack punch. Tim and Adam try to diagnose, and give prescriptions for, what ails this comic, while recognizing that it’s not too far from being well-done.
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A story originally conceived as an Incredible Hulk tale in — really — the 1980s, Barry Windsor-Smith‘s Monsters has finally seen the light of day. How is it? Kumar and Dana find it a joy to look at, and containing a number of astonishing scenes and mind-blowing plot points, but also to have some serious drawbacks. Does the good outweigh the bad? Here’s their review.
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“How much Stan can you stand?” Tim and Emmet’s look at books on Stan Lee continues with The Man’s graphic novel-memoir Amazing Fantastic Incredible, by Stan Lee, Peter David, and Colleen Doran. Can we recommend it?
1:18:40 Also, Tim looks back at a few of the many high points in the history of Deconstructing Comics, complete with old show clips!
#224 Our Notes on “Death Note”
#165 Mo Willems’ Dirty Little Secret
#173 Diamond and the U.S. Comics Market
#595 Mulele and other DCP connections at TCAF
#299 Detroit Metal City vs. Metalocalypse Dethklok
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