Last year saw the release of Marc Meyers’ film adaptation of Derf Backderf’s My Friend Dahmer, starring Ross Lynch, Anne Heche, Dallas Roberts, Alex Wolff, and Vincent Kartheiser. How is the film different from the book, and how do we account for the differences considering Derf’s close involvement in the movie? Did the film’s budget hold it back? Kumar and Emmet discuss.
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Derf Backderf, author of My Friend Dahmer and a onetime garbage man, is back with Trashed, a book that defies pigeonholing. Part history, part awareness-raiser, part fictionalized reminiscence, part gross-out humor fest (and a few other “parts” as well), Trashed seems like a book that shouldn’t work, but does. In this episode, Tim interviews Derf about Trashed, the Dahmer movie, and more; plus, Tim and Kumar review Trashed!
Derf will be headlining at Cartoon Crossroads Columbus later this month!
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My Little Pony is a toy line that initially had success in the ’80s (including TV and film appearances) but then stumbled until the 21st century. Its fourth iteration debuted in 2010, with a hit TV show My Little Pony: Friendship is Magic and more world building and continuity than before.
IDW has the license to make My Little Pony comics, and Ted Anderson is one of the writers on the book. Tim recently talked with him in Minneapolis about his approach to writing for kids, how he gets from a story concept to an actual story, the stumbling blocks in writing for a multimedia franchise, and more.
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Daniel Clowes’ 2010 graphic novel Wilson tells the story of a guy who can’t help but tell you exactly how he feels about you, and the pain which that attitude hides. Earlier this year, a movie version of the book was released, starring Woody Harrelson. How do the book and film compare?
This week, two sets of DCP regulars approach “Wilson” from different angles. First, Tim and Mulele review the book; then, Kumar and Emmet discuss the movie.
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This week, in our first Marvel-related movie review since Iron Man 2(!), Kumar and Dana discuss Logan. Is it an action movie? The action scenes are limited, but when they occur, there are no limits.
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Love and Rockets continues to impress, and in this episode Koom asks creator Jaime Hernandez some burning questions. Hernandez talks about writing Maggie and Hopey, the dynamics of working on something with your brother, why he gravitates toward female characters, his influences and art style, and more.
Also, Tim and Mulele discuss the current state of the US comics market and Marvel’s recent problems.
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Since we often don’t see the people who make the comics we read, we may not realize just how many African-American comics creators there are. Craig Rippon is gathering their thoughts and opinions in a documentary film called Black Ink. This week, Tim gets the scoop from Craig on who has been interviewed so far and the plan going forward, the pros and cons of publishing a “multicultural” line of comics, the state of black heroes at Marvel, his motivation to keep going on the film, and more.
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FLASHBACK! Tim and Brandon give their thoughts on Guy Delisle’s Pyongyang, DVD movie Justice League: The New Frontier, Spider-Man One More Day, and Writing for Comics with Peter David!
Originally published March 24, 2008
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Five hundred episodes?! Where’d the time go? As has been typical of recent “landmark” episodes, a topic discussion is in order, this time among Tim, Paul, and famed artist, writer, and comics educator Stephen Bissette.
Steve talks about favorite film versions of comics; Mario Bava’s Diabolik; and what would have been a better way to make a Dick Tracy movie? How have certain films utilized “comics” language — even if they weren’t based on actual comics stories? What were some of our most traumatic moments in childhood TV viewing/comics reading?
Then we move on to the struggles that creators of Marvel and DC characters and storylines have had in getting proper credit for the film versions of their stories — especially focusing on Frank Miller and Daredevil. And, why do some fans have so much vitriol for Miller?
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Kumar talks with both Emmet O’Cuana and John Roberson about Batman vs. Superman: Dawn of Justice. How does Zack Snyder see these characters, and how is his vision at odds with the established ideas about these characters? How can we think about the events in this movie in a way that makes sense?
Music:
“Superman’s Song” – Crash Test Dummies
“I Whipped Batman’s Ass” – Wesley Willis
“(Wish I Could Fly Like) Superman” – The Kinks
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