Sales of digital comics have grown by leaps and bounds the past couple of years. Interestingly, this hasn’t hurt sales of paper comics, and may even have helped it. But is buying these comics really “buying” them? What considerations go into the pricing of them? What other issues, such as digital rights, still remain to be sorted out? Tim talks with cartoonist and writer Shaenon Garrity about all this and more.
By Kory Cerjak
Deconstructing Comics’ own Kumar Sivasubramanian translated Dark Horse’s weird and usually cerebral manga MPD Psycho into English. And it’s a good thing he did (rather, that Dark Horse licensed it in the first place) because it is the detective/crime thriller that I always look for.
MPD Psycho is about a detective named Yosuke Kobayashi who, after having his girlfriend literally mailed to him in a freezer, goes crazy and hunts down the man who did it. As a result of these events, he develops multiple personalities. The bulk of this information is given intermittently throughout volume one, which is an interesting storytelling tactic. It allows the reader to weave through the mystery him/herself while simultaneously setting up for the rest of the series with scenes like Kobayashi and future employer Machi Isono. In fact, his “transformation” to cold-blooded killer Shinji Nishizono is only revealed to us through Isono seeing a video made by a reporter.
This is why I call the manga “cerebral”. Much of what’s going on is presented to us in the first person, but it feels very much like a third person point of view. But it gets confusing because we’re looking through the eyes of Kazuhiko Amamiya (the now-dominant personality) as well as Nishizono and later Kiyoshi Murata. We’re most definitely inside of Kobayashi’s head, but we’re never immediately sure of whether it’s Kobayashi-Amamiya, Kobayashi-Nishizono, or Kobayashi-Murata. Thankfully, Otsuka clears that up quickly.
The plot itself centers around a serial killer who Isono and Amamiya’s agency is trying to track down, dubbed the “Lucy Seven” case according to Wikipedia. Those individual cases aren’t made evident to be more than just a murder. Once they solve it, it’s revealed to be part of the Lucy Seven. Lucy Seven itself is very complex, because we not only have to weave through the individual cases, but also how it ties in to the larger whole.
Despite the fact that we’re inside one of Amamiya’s many personalities at any given time, we’re still left piecing together the mystery. Amamiya isn’t aware of what Nishizono is thinking, and neither is aware of what Murata is thinking. So we, the reader, are left with bits and pieces of information that only make up a fraction of the whole.
It’s hard to write detective fiction this compelling and this interesting, and it’s a testament to Otsuka that he did it this well. It relies heavily on shocking imagery (like Kobayashi’s girlfriend being mailed to him and other dismembered bodies) early on, but it lightens up on that and becomes more than just a shock story. It’s good that it does, because Otsuka is certainly good at writing this kind of detective fiction. He can string you along and make you believe you have all the pieces of the puzzle, because Amamiya thinks he has all the pieces to the puzzle. In reality, Nishizono has a few of the missing pieces and Murata might have a few more missing pieces. We’re able to piece it all together, but it’s so interesting to watch the character work his way through it.
I don’t mean to knock on the translation of a fellow Deconstructing Comics-er, but I question one thing, and one thing only: the original Murata Kiyoshi’s speech patterns. It seems like it’d be a lot like Kugeyama from Genshiken, in that he’d have a stutter, but instead it’s just drawn out and slow. Since I don’t know what the original was, I can’t comment on whether that’s accurate, but it seems off and slows me down reading the broken up sentences. But what do I know, I don’t even speak Japanese. Also that could be an editorial decision, not of the translator.
The artwork in MPD Psycho is absolutely spectacular in places and mediocre in others. The faces of Amamiya (and I do mean faces) are spectacular. The differences in expression and hair make it easy to tell which personality is in control. However, the faces of background characters seem to be the same old face with new hair. Most of the other main characters are great, but not to the level of Amamiya. The background art is fine. It adds to the ambiance as backgrounds, but it’s never great like it could be in Kare Kano. Overall, the art does what it needs to do in a story like this, and that’s support but not lead.
I love things like Dexter, Satoshi Kon’s Perfect Blue, and Blade Runner, so it’s only natural that I’d like MPD Psycho as well. It has the interesting maybe-right-but-probably-wrong serial killer, the sort of noir or neo-noir detective feel, and a mystery that isn’t told to you outright nor is it held in front of you like a carrot (I’m looking at you, J.J. Abrams).
Best of all, in volume four, MPD Psycho basically predicted the Rebuild of Evangelion.
MPD Psycho is in print by Dark Horse and easily findable at Amazon, Right Stuf, and probably your local bookstore—though it’ll most likely be shrink-wrapped. It’s also available on Dark Horse’s digital store, which is where I’ve been reading it.
Mulele bought a print comic from one of his favorite online artists, the mysterious creator of the Tanglefoot page on Tumblr. The comic, Dime a Dance, is a fun silent story with dynamic art. Too bad it doesn’t have more room to breathe.
Tim and Mulele also look at:
After Jeff Smith finished his fantastic all-ages series Bone, he went a completely different direction with his next series: a noir/sci-fi hybrid called RASL. It’s a great story on a human level, but it also gets into quantum physics, the lost journals of Nikola Tesla, and and some real-life pseudo-science conspiracy theories like the Tunguska Event and the Philadelphia Experiment.
Helping us dig more deeply into these elements of the story is a guest co-reviewer with solid footings in both comics and science: Ryan Haupt, an earth scientist in his own right and host of the podcast Science…Sort Of, but also a contributor to iFanboy and Marvel.com. Tim and Ryan also look at RASL as a comic, examining the many story points that Smith leaves vague, and the philosophical questions the story raises.
by Kory Cerjak
Title: His and Her Circumstances (Kareshi Kanojo no Jijou)
Author: Masami Tsuda
Publisher: Tokyopop (former)
Kare Kano, after Fruits Basket, has to be the best-selling shojo manga of all time for Tokyopop. Kare Kano also holds the distinction of being one of the first manga Tokyopop ever released “unflopped.” This was a big decision for Tokyopop, since it meant they could save about $10 per page in producing the manga for a North American market. But enough about history, let’s get to the story. What makes Kare Kano’s story so endearing is how Miyazawa and Arima grow throughout the series. And with 21 volumes, there’s a lot of material to watch them in.
The story is simple, a love story of two high schoolers trying to grow up and grow closer together. Your usual complications come up throughout the story (I’ve read the entire series, but I’ll only be reviewing the first three volumes here), like the “new kids in town” Hideaki Asaba and Maho Izawa and typical Continue reading “Kare Kano” hilarious, touching
Then Tim is joined by our new manga reviewer Kory to discuss Kiyohiko Azuma’s hilarious Yotsuba&!, a slice-of-life (yet slightly wacky) manga filled with memorable characters and the intriguing relationships among them.