Category: Podcast

Deconstructing Comics Podcast, published every Monday, features comics creator discussion and comics reviews.

#689 Priest’s “Black Panther”

Priest's Black PantherFLASHBACK! In 1998, under the “Marvel Knights” banner, Christopher Priest began the first ongoing Black Panther title in nearly two decades. Panther was a relatively unknown character to many Marvel readers at the time. With the aid of “Emperor of Useless White Boys” Everett K. Ross, and artists like Mark Texeira and Joe Jusko, Priest (a.k.a. Jim Owsley) made Panther a must-read and brought the nature of his character into sharper focus. Kumar and Tim discuss the first 17 issues (the ones included in Black Panther by Christopher Priest: The Complete Collection Volume 1) and see if it still stands up 23 years later. (This episode was originally published March 10, 2021.)

Michael Hoskin’s 4-part article

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#798 “Delicious in Dungeon” yields a feast

Delicious in Dungeon

Ryoko Kui’s Delicious in Dungeon pokes fun at fantasy games and cooking manga tropes, exploring what it would really be like to be a character in a fantasy game, arranging your life in ways that wouldn’t really make sense in the real world. This week, Kumar and Emmet do a deep dive on this consistently enjoyable and beautifully plotted manga, the anime for which is now on Netflix.

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Critiquing Comics #234: “Murky Water” and “Barking”

 

"Murky Water" and "Barking"

Kel McDonald‘s Murky Water is about a paranormal investigation police unit looking into the death of a man from drowning – in his very dry living room. (Currently being Kickstarted!) Tim and Adam critique. Then, Jason joins Tim to review Lucy Sullivan‘s Barking, about dealing with depression in an inadequate mental health care system. The art is beautiful, but how does this style work in a 130-page book?

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#797 Jack Kirby’s “2001: A Space Odyssey”

2001: A Space Odyssey

Jack Kirby’s 1976 adaptation of 2001: A Space Odyssey is an odd combination of the Stanley Kubrick movie, the Arthur C. Clarke novel, and Kirby’s own research and dramatic inclinations, which sometimes were pretty out-of-step with the tone of the film! This week, Tim and Emmet discuss this out-of-print treasury edition comic, where it borrows from one or both of the other versions, and where Kirby goes off on his own tangents!

“The Crazy Legacy of Jack Kirby’s Forgotten 2001: A Space Odyssey“ (Wired.com)

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#796 Stan Mack and “Real Life Funnies”

Stan Mack Real Life Funnies

If you read New York’s Village Voice newspaper between 1974 and 1995, you are probably familiar with Stan Mack‘s Real Life Funnies. If not, hold on to your hat! A forthcoming book from Fantagraphics collects many of the strips, all ripped from real life, and taking full advantage of the Voice‘s lack of content guardrails. In this episode, Tim gets the scoop from Mack about what went into making the strip, and into choosing the strips for the book. But first, friend of the show and New Yorker cartoonist Joe Dator, a native New Yorker who read the strip in the Voice, and experienced first-hand some of the events it covers, sets the context for understanding what the strip is and how it encapsulates a time in the city’s history that’s gone forever.

See the book on Fantagraphics’ site

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#479 Some of the greatest Superman stories (or not)

Superman death in issue 149
FLASHBACK! There’s no doubt that Superman is one of the most significant characters in the history of American comics. He ended up setting the template for what would be the dominant genre in American comics after the Comics Code came into effect. Of course, the types of stories told in those comics, and their tone, has varied wildly over the years, which makes it difficult to try to determine which stories are the best of the lot, but naturally people make the attempt, including DC Comics itself.

This week Kumar and Tim look at the 1980s collection “The Greatest Superman Stories Ever Told”, as well as Alan Moore’s “Whatever Happened To the Man of Tomorrow”, which is currently being published in a collection with two other Moore Superman stories. Are these actually the greatest Superman stories?

Featuring Batman’s superior party prep skills, swimming the interplanetary water spout, and the symbolism of the ads in the original printing of “Whatever Happened to the Man of Tomorrow”! *Choke* (Originally published December 28, 2015.)

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#219 “Asterios Polyp”

Asterios Polyp

FLASHBACK! Reviews of Asterios Polyp blanket the Internet; why need we pile on? Well, for starters, to counteract all the reviewers who think that giving a story synoposis = explaining what the book’s about. That approach falls far short with Polyp, so Tim and Kumar are here to explain what they feel David Mazzucchelli’s masterwork graphic novel is really about! (Originally published February 15, 2010)

Stumptown annotations of Polyp

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#795 Jack Kirby’s “Capt. America and the Falcon” #198-200: Bicentennial Madness

Capt America and the Falcon 199Cap and the Falcon have found the underground bunker of the aristocratic forces hoping to take over America on the Bicentennial, but the location of their secret weapon, the Mad Bomb, is still a mystery. What next? How about a love story? But wait a minute – this love story between Cap and a sick young woman seems to be here for symbolism. Tim and Emmet follow our heroes to the explosive conclusion of the Mad Bomb storyline in Captain America and the Falcon 198-200!

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#794 “The Ballad of Halo Jones” – in color!

Halo Jones
To mark the recent passing of artist Ian Gibson, Kumar and Dana dive into a long-overdue discussion of his masterpiece with writer Alan Moore, The Ballad of Halo Jones. Halo Jones is an early work by Moore that was never completed, but it is rich, immersive, and fully developed at every turn, from the characters to the world-building, largely due to the influence of Gibson himself on the creative process. But is there something familiar about it all…?

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Buy The Ballad of Halo Jones on Amazon.com

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#793 “Berserk” v 7-8: The Battle for Doldrey

Berserk

While Kentaro Miura’s Berserk is meant to feature the swordsman character Guts, in volumes 7 and 8 the focus is on Griffith and the progress made – at ANY cost – toward his dream of having his own kingdom, a machine in which Guts is just a major cog. Casca is the other major figure, as Tim and Kumar wonder just what her real feelings for Griffith – and for Guts – might be; why this lengthy flashback has so much less magic in it than the pre-flashback story did; and how Griffith gets from this point into the Godhand.

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