#305 “Love & Rockets”: Gilbert Hernandez

FLASHBACK! In episode #300, we took a look at the sometimes wacky and cartoony Love & Rockets work of Jaime Hernandez. This week, Tim and Kumar are again joined by Tom Spurgeon to look at the somewhat darker, more violent and yet rather hard-to-pin-down work of Gilbert Hernandez in his stories of (or, sometimes merely tangentially related to) the isolated Mexican village of Palomar.

Originally published January 2, 2012

#440 Love Bunglers

Love BunglersDid you think Love & Rockets was over?! Gilbert and Jaime Hernandez continue to release new work about once a year, and in this episode Kumar and Matt sit down and discuss some of it, with particular attention paid to Jaime’s The Love Bunglers. (Spoiler warning!)

Also: the tension between indy creators who want to do single-issue type comics, and the economic realities shoving them toward larger collections…

#405 Teaching comics as literature

300

It’s been a long time coming, but a fair number of teachers in mainstream American education are finally recognizing that what the comics medium brings to the table can be just as meaty and challenging as the best prose novels. This week we meet Juan Mah y Busch, an Associate Professor at Loyola Marymount University. Juan teaches comics like Frank Miller’s 300 and Anders Nilsen’s Dogs and Water not in special “comics appreciation” courses, but alongside novels like Cormac McCarthy’s “The Road” to make other points about cultural history.

How do fellow faculty and administrators react to comics in the classroom? Do students have any trouble with the concept? Why can comics often be better for teaching cultural history than most other media? That and more in this episode!

#305 Love & Rockets: Gilbert Hernandez

In episode #300, we took a look at the sometimes wacky and cartoony Love & Rockets work of Jaime Hernandez. This week, Tim and Kumar are again joined by Tom Spurgeon to look at the somewhat darker, more violent and yet rather hard-to-pin-down work of Gilbert Hernandez in his stories of (or, sometimes merely tangentially related to) the isolated Mexican village of Palomar.