As regular listeners well know by now, our own Mulele’s graphic novel “Elbis” came out earlier this year (buy it here, or read online here). We’ve discussed the book’s genesis on several occasions, but not a detailed look of the book’s content. So this episode, Tim and Paul roll up their sleeves and give it a good ol’ fashioned (unbiased?!) critique!
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Tim and Mulele read mail from creators of comics recently critiqued on the show, as well as a couple of listener comments on Deconstructing Comics #328.
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Back in April, Tim talked to Brian Mitchell about his matchbook-sized comics. Recently, he sent us some samples, so Tim and Mulele have read through them and are here with their thoughts.
Brian’s site, where you can order his comics
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Our listener submission this time: Stymie, by James Hohenstein.
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This week Tim and Mulele puzzle over “Kuzimu” by Brett Uren.
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Does “giving a critique” mean “stating an opinion”? Or, as some fans of a comic we discussed a few weeks ago imply, does it demand total objectivity? Is that even possible? And, by the way, what’s the difference between a critique and a review? Tim and Mulele discuss these questions before going on to critique Super Haters by Nick Marino and Justique Woolridge.
Critique vs. Review:
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“Ugli Studios Presents” #1 gives us two stories: One about a cat (well, much more than a cat) who supports her “consort”, The Necromancer, in battle — “and my God, that artwork is epic!” — followed by a science fiction story with a twist ending. Tim and Mulele critique.
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Dreamkeepers is an epic teen-furry-fantasy-adventure comic, clearly influenced by anime and/or Disney. Those are both its strong and weak points. Tim and Mulele examine examine volume 1 (and a bit of volume 2) of this tale by David Lillie, Liz Thomas, and David Higgenbotham, and ask the question: how does one differentiate between unwarranted publisher meddling with one’s project, and useful advice that should be heeded? (Available on Graphicly, but the first volume can be read online for free!)
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If you’re looking for something new and different in comics, this week’s critiqued book definitely delivers: Scott D. Finch‘s “A Little World Made Cunningly” explores the author’s “fascination” with Gnosticism. Now, if we only understood it… Tim and Mulele discuss.
This book is available on Graphicly.com!
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While technically a comic, The Legend of Spacelord Mo Fo attempts to be a bit of a comics/animation hybrid — not a “motion comic”, but something like manually flipping through the frames of a movie. Does the technique succeed? Does the writing back it up? Tim and Mulele ponder.
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