How can an artist, in any medium, manage the audience’s expectations, so that they enjoy change and evolution, rather than rejecting it as different from what they have come to expect?
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How can an artist, in any medium, manage the audience’s expectations, so that they enjoy change and evolution, rather than rejecting it as different from what they have come to expect?
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100th episode special! Tim interviews Phil Dunlap, creator of the syndicated comic strip Ink Pen! How did he get into syndication? What’s his advice for others who would like to do the same? Listen for the answers!
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We’ve been reading a few Web comics and discuss our favorites. Also: Tim’s dormant one, and Mulele’s planned one. And how about sending us yours for review? We’ll be nice (mostly)!
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Tim and Mulele discuss violence — in Weird Crime Theater, in Thunderbolts, and in two books from Archaia Studios Press: “Awakening” and “Killing Pickman”!
Ben Templesmith’s Wormwood (referred to by Mulele)
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An article on the 9/11 Commission Report comic book gets Mulele and Tim talking about media portrayals of comics, and comics terminology. Also, the decompression of comics, an evaluation of John Byrne, and The Walking Dead!
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Brandon and Tim begin a two-part Skype discussion, starting with Dr. Strange: the Oath! Also, Brandon reads from a 1959 Charles Schulz essay on developing a comic and asks Tim about how he developed Spider-Hag!
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Tim, Mulele, and Patrick interview Patrik Washburn, who has just completed his successful first gallery show in Tokyo.
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Follow-up on Web comics: DC has announced Zudacomics.com. The details given answer some of our questions, and bring up new ones.
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Collaborating on a comic: What are the pros and cons? Would you rather do the whole thing yourself? Mulele’s done both, and tells Tim how it’s gone for him. Plus, a little discussion of Watchmen (very little)!
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OK, we lied! Making Comics again serves as a catalyst for discussion, specifically McCloud’s idea of four “tribes” of comics creators .
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