Writer: Bob Haney. Pencils: Jay Stephens. Inks: Mike Allred. Color: Laura Allred.
DC Comics, 2008. 48 pages.
Reading this thing, you have to wonder if Bob Haney was aware of his own reputation.
Writer: Bob Haney. Pencils: Jay Stephens. Inks: Mike Allred. Color: Laura Allred.
DC Comics, 2008. 48 pages.
Reading this thing, you have to wonder if Bob Haney was aware of his own reputation.
The @#$%ing Death Metal showdown that had to happen! It’s Kiminori Wakasugi’s Detroit Metal City versus Metalocalypse Dethklok created by Brendan Small, in our most explicit episode ever! How is is possible for TWO Death Metal comedy franchises to suddenly appear at the same time?! Thanks to the flimsy pretext of a Dethklok licenced comic finally being published, Kumar and newcomer-to-the-show Dana discuss Metal, the @#$% joke filled DMC manga, Metal, the @#$% joke-free DMC live-action movie, and Metal; compared with the Dethklok TV show and comic (including Dethklok vs The Goon, written and drawn by Eric Powell), and Metal. Plus: how censoring yourself is totally @#$%ing UN-Metal!! @#$% on!!
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from Savage Sword of Conan #162
story by Charles Dixon, art by Jorge Zaffino
Marvel Comics, July 1989.
I’m not really even going to review this comic. I’m just going to talk about comics in general.
Every once in a while I hear people talking about the writing and art in comics as completely separate entities. I always snicker to myself and think that you simply can’t do that because in comics the art IS the story and the story IS the art. In comics you read the art. You can’t rate the story a “7” and the art a “3.” They are the same thing. You have to rate the COMIC a “7” or a “3” or whatever. Continue reading REVIEW: “The Horned God”
script by Tom Defalco, pencils by Ron Wilson, inks by 6 staffers
Marvel Comics, 1982
This is the second best comic I have ever read about intergalactic space-boxing.
by Chris Wisnia
SLG Publishing, 2011
Black & White
One of the big news stories this past week was Dan Vado’s announcement that SLG Publishing was completely phasing out print floppies and switching to digital for their 20-pagers. Which means that you’ll have to get yourself to a computer to read this fine, fine comic (and this review!). Note that downloading Monstrosis #1 is FREE from SLG’s website.
by Adrian Tomine
Drawn & Quarterly, 2011
HOLY CRAP!! NEW OPTIC NERVE!!!
by Sergio Aragones
Bongo Comics, July & August 2011
So, Sergio Aragones turned 74 this week. He has a new solo anthology title currently on the stands. And what have you done with your life?
Written by: James Roberts
Art by: Alex Milne
Colors by: Joana Lafuente
Letters by Shawn Lee
IDW Publishing, August 2011
If you had told me 25 years ago that I would one day be reading a Transformers comic about senatorial politics, I would have said, “What’s senatorial politics?!”
by Aline Kominsky Crumb
M Q Publications, 2007.
I was trying to think of a way to describe Aline Kominsky Crumb’s art, and then she went and described it perfectly herself:
I […] draw, erase, and scratch out some tortured looking image that clearly shows how much I am struggling with the medium. I honestly don’t think this makes my work less interesting, just very expressionistic and often very ugly.
In fact Crumb is so aware of her own work as an artist that I could skip reviewing the book and just pull quotes out of it to do the same job.
written by JM DeMatteis, art by Seth Fisher
DC Comics, 2011.
If the idea of Green Lantern as a giant disembodied floating head who can’t even speak because he’s got his mouth full with a buxom six-armed bartender, an alien beatnik, and an angel in cutoff jeans and a t-shirt sounds appealing, then, boy, is this the comic for you!
Continue reading Review: DC Comics Presents Green Lantern: Willworld