#452 Joe Matt’s “The Poor Bastard”

poorbastardJoe Matt was one of ‘The Toronto Three’ in the 90’s; he was a no-holds barred autobiographical cartoonist who, with his friends Chester Brown and Seth, ushered in the first wave of Drawn and Quarterly work. Matt drew attention for his sense of humor as well as exposing the depraved corners of his life, including porn addiction, excessive cheapness, and an increasingly destructive relationship with his girlfriend Trish. Kumar and Koom discuss The Poor Bastard and reflect about encountering Matt’s work, the interaction between real life and representation, and the connection between humor and depravity.

LINK: Did the woman Frankie was modeled after demand to be left out of Joe’s comic?

#451 Frank Santoro and comics geometry

PompeiiThis week, an interview with Frank Santoro, who writes for the Comics Journal, teaches comics creation (mostly through the Web), and has published several graphic novels, including Storeyville and Pompeii. We discuss using geometry to design a comics page, the artists he draws attention to on his Comics Workbook page, the reason Pompeii is in such a rough drawing style, and more.

#450 “My Friend Dahmer”

My Friend DahmerHow would you feel if someone you went to high school with showed up on the news as a murderer? That’s what happened to the cartoonist Derf Backderf, who was acquainted with future serial killer Jeffrey Dahmer when they were teenagers in the ’70s.

Backderf looks back on this experience, and the warning signs missed by all, in his 2011 graphic novel My Friend Dahmer. It’s more than just a memoir — Backderf did a lot of research and includes a lot of things he had no way of knowing about when they happened back in the ‘70s. Matching up his own Dahmer experiences with information that came to light after Dahmer’s arrest makes for a book that’s both chilling and thoughtful, and one that Kumar and Tim couldn’t put down! This week, our review.

#449 Ian M: Comics, Squared

SquareAnthropomorphized cats in a Pulp Fiction-style shootout; a tiny man found sleeping in the grass; two people hiding in an abandoned restaurant during some catastrophic event. These were some of the one-page, where’s-the-rest-of-it scenes in Ian M‘s Square 11, discussed on Critiquing Comics last year.

This week, Ian tells Tim what he was going for in those scenes, about his autobio comics (including Square 12, “Alone in Kyoto”), things that work better in comics than in other media, and more.