Comics commentary from our podcast regulars.
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Since critiquing comics is what we do, Tim goes in search of struggling Web comics creators who need some pointers. Instead, he ends up with two awesome comics! Hanna is not a Boy’s Name is a comedy with horror elements, lively art, and mucho f-bombs; reMIND is a beautifully rendered work about a cat, a babe, and a mysterious lizard-man. Tim and Mulele review.
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Thinking of looking for work as a comics translator? What issues are you likely to face in doing the work? Our very own Kumar, translator of dozens of Japanese comics for Dark Horse, talks to Tim about translating puns, accents, sound effects, song lyrics, and more.
Plus: Farewell to Frank Frazetta.
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FLASHBACK! While we take a week off, enjoy this vintage episode from December 10, 2007!
How comics & movies have influenced each other: what Scott McCloud won’t tell you! Also, digital inking, The Spirit, and All Star Superman! Mulele, Patrick G., Tim, and Tim’s brother Paul discuss.
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Longbox Digital‘s comics reader beta was unveiled at Emerald City Comicon in March. Is it any good? Tim and Mulele review. Also: hilarious Web comic “Axe Cop“!
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In a recent interview, Steven King is quoted as saying that a Vertigo editor asked him not to use thought balloons in his work on American Vampire. An article in Comics Comics Mag brought this to our attention, and sparked discussion. Why do some editors now discourage, or even ban, thought balloons — even when the writer is Steven King? Are they perceived as being cheesy, and if so, why? Tim, Kumar, and Mulele discuss. Also: The Walking Dead, Billy Bat, and Gin-Tama!
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Tim and Mulele set out to review dharbin.com, but “the gold of the site” is hidden. Mulele explains where to find Dustin Harbin’s best work.
Then an interview with (former) Tokyo resident Ed Siemienkowicz and a discussion of how to develop your own style. Tim continues to struggle with this as he is paid (!) (by an English school) to do some illustrations.
Finally, Mulele has a few words about WordPress plugin ComicPress, and why he’s switching to InkBlot — er, no, sorry, Webcomic 2.1
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L. Frank Baum’s classic children’s story The Wonderful Wizard of Oz was published 109 years ago and still inspires attempts to adapt it to other media. While the 1939 MGM movie tends to define the story in the minds of many, subsequent adaptations do stick closer to the original book than to the movie, including the two we discuss this week: a French version adapted by David Chauvel and Enrique Fernandez (published in English by Image), and Marvel’s recent version, adapted by Eric Shanower and Skottie Young.
Rashad Doucet, a published children’s book author in his own right, joins Tim in comparing the two adaptations, as well as discussing Yuko Osada‘s “Toto: The Wonderful Adventure” and, uh, “sexy Dorothys“.
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A bored, punk-dressing god of death and a genius high school boy are the main characters in Death Note, written by Tsugumi Ohba and drawn by Takeshi Obata. The boy, Light Yagami, receives from the god a notebook with which he can kill people simply by writing their names in it. A plot with many twists and turns ensues. Tim and Kumar review — first without spoilers, and then, 38 minutes in, totally and utterly with spoilers.
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Tim and Mulele review two Web comics that have little in common besides the nationality of their creators! Amya, a recently-started, manga- an fantasy-influenced comic; and Hark, a Vagrant, featuring contemporary, humorous takes on historical events.
Then Mulele critiques Tim’s recent artwork, and discussion of how to draw facial expressions ensues (view full post to see pictures below).
Continue reading #222 Canadian Web Comics
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Though Asterios Polyp made the point that comics and (written) music are similar, doing a comic about music is not such an easy task. But Reinhard Kleist beautifully presents the music, and life, of a country music legend in Johnny Cash: I See a Darkness, recently released in English. How does it compare with the Cash biopic Walk the Line? Tim and Paul review.
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