Jamie Delano never set out to be a comics writer. His high school friend, a bloke by the name of Alan Moore, was big into comics, but Delano was not a comics reader. It was only at Moore’s suggestion, many years later, that Delano tried out, doing some work for Marvel UK, then landing the job writing Moore’s John Constantine character in the Hellblazer title as it launched in 1987. The rest is history. Delano is nice enough to give some of his time to Tim for an interview.
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In the years of doing this podcast, we’ve encountered many comics from Japan, but not many about Japan. One in the latter category is “Tonoharu”, about an American teaching English in Japan (an occupation that some of us on this podcast know a bit about!); the second installment of the four-book series was recently released.
When last we checked in with 
A horror anthology? Some may advise against it, but artist 
You have the details all ironed out and the project is well under way. But you don’t have money to publish it when you’re done, or some other financial barrier exists. What to do? One option: 
You’ve heard 
FLASHBACK! Children’s book writer Mo Willems has been found out: he’s actually a comics creator! He talks to Tim about the state of American comics for kids, the effect of his animation background on his approach to creating books, and… just why does that pigeon want to drive a bus, anyway?! (Originally published Feb 2, 2009)
Thinking of looking for work as a comics translator? What issues are you likely to face in doing the work? Our very own Kumar, translator of dozens of Japanese comics for Dark Horse, talks to Tim about translating puns, accents, sound effects, song lyrics, and more.
Also in this episode, Tim, Mulele, and Kumar discuss the upcoming