Sales of digital comics have grown by leaps and bounds the past couple of years. Interestingly, this hasn’t hurt sales of paper comics, and may even have helped it. But is buying these comics really “buying” them? What considerations go into the pricing of them? What other issues, such as digital rights, still remain to be sorted out? Tim talks with cartoonist and writer Shaenon Garrity about all this and more.
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Mulele bought a print comic from one of his favorite online artists, the mysterious creator of the Tanglefoot page on Tumblr. The comic, Dime a Dance, is a fun silent story with dynamic art. Too bad it doesn’t have more room to breathe.
Tim and Mulele also look at:
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Comics that you buy in comics shops or bookstores are facing enough business challenges, but how about newspaper comics? Their traditional delivery system is dying out, with many printed papers ceasing publication. The comic strip faces a number of challenges, but there are positive trends as well. How are Web comics and other new technology changing the game? This week, Tim talks newspaper(-style) strips with Tom Racine, host of the Tall Tale Radio podcast!
Stephan Pastis interview (gigaom.com)
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Drawing backgrounds is seldom the most enjoyable part of drawing a comic. Many artists dislike it, and might try to give it short shrift. But it’s an important part of telling your story, so you’ve got to do it right. Tim and Mulele discuss some important points to keep in mind when drawing your backgrounds — and a few things to avoid.
Sean Gordon Murphy’s background tips
Drawinghowtodraw.com (beware of the popup ad!)
idrawdigital.com: backgrounds tutorial
The Mindgator: invisible Coke machine in last panel
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Many classics have been presented as comics, but Frank Wedekind’s “Lulu” plays have, as far as we know, not made it to the page until now; occasional Deconstructing Comics contributor John Roberson has recently released Book One of his adaptation. He talks to Tim about including the level of sexual frankness Wedekind may have intended, censorship, self-publishing, and more.
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The Boston Comics Roundtable is a thriving group of creators who have weekly meetings and put out anthology books of their work, including Show & Tell; a Collection of Comics about Teaching & Learning; and The Greatest of All Time. This week Tim talks to anthology co-editor (and comics creator) Dan Mazur, who publishes the books through his own imprint, Ninth Art Press; Norwegian artist Line Olsson; and first-time comics writer (and former English teacher here in Japan) Ben DiMaggio.
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A sexy, geeky female superhero? The concept has possibilities, but Tim and Mulele find some problems with Sam Johnson’s Geek Girl…
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Waaaay back in July 2010, Tim talked to David Steinberger of ComiXology about the emergence of digital comics. Since then, simultaneous release of digital with paper has become the norm. And, guess what – flying in the face of earlier fears of some in the industry, digital comics have actually helped, not hurt, the sales of paper comics. Tim talks to ComiXology co-founder John Roberts to find out why this is, and more.
Then we get the scoop on Mulele’s latest Web comic, a new version of Mindgator.
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Tim & Brandon discuss “Batman/Tarzan: Claws of the Catwoman” by Ron Marz and Igor Kordey! Also: Brandon talks about an online figure-drawing class he took, and we different philosophies of how to become a versatile artist. Is it better to start with figure-drawing training, or is it better to figure out your style on your own? How important is it to have experience drawing “Bigfoot” funny comics? (originally published November 13, 2006)
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Two astronauts battle their own ship’s computer. Sound familiar? No, it’s not 2001: A Space Odyssey, it’s Lee Milewski’s”With the Earth Above Us“. Not unlike Kubrick’s movie, this one strikes Tim and Mulele as being a bit hard to follow…
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