#412 Add Manga and Mix Well

Marine Corps Yumi and Hollow Fields

This week, Tim talks with two women who are mixing Japanese and Western influences in their comics!

First, Ana Moreno, former US Marine and writer of Marine Corps Yumi, drawn in a gag-manga style by Takeshi Nogami. A gag manga about joining the Marines?! (available in both English and Japanese)

Then, Aussie Madeleine Rosca, creator of Hollow Fields (reviewed on last week’s show). Why does her work read right to left? Does she get any guff from readers about imitating a Japanese style? Also, the art of revealing neither too many nor too few secrets as your story moves forward, and more.

#411 Exploring the “Seven Seas” for OEL Manga

OEL Manga

You may have been vaguely aware that a number of non-Japanese are drawing very manga-esque comics that are published in English only. They’re known as Original English Language (or “OEL”) manga, and many of them are published by Seven Seas Entertainment. Is this an area of comics worth exploring?

This week, Kory and Tim randomly pick up three of Seven Seas’ OEL titles (clockwise from upper right): The Outcast, by Vaun Wilmott and Edward Gan; Free Runners, by Bill Strauss and Jennyson Rosero; and Hollow Fields, by Madeleine Rosca.

#221 Johnny Cash: We See a Brightness

FLASHBACK! Though Asterios Polyp made the point that comics and (written) music are similar, doing a comic about music is not such an easy task. But Reinhard Kleist beautifully presents the music, and life, of a country music legend in Johnny Cash: I See a Darkness, recently released in English. How does it compare with the Cash biopic Walk the Line? Tim and Paul review.

Originally published March 1, 2010

#410 Marvel Comics: Telling the Untold Story

Avengers 4

If you’re into American comics at all, you undoubtedly know how Stan Lee, Jack Kirby, Steve Ditko and others changed the industry with their work in the 1960s, and set the template for kinds of stories Marvel still publishes today.

That’s just part of the story that Sean Howe researched for his 2012 book Marvel Comics: The Untold Story. Through interviews, research of media reports, and of course tons of comics reading, Howe uncovered the backgrounds of many comics stories and rumors that longtime readers may have wondered about. There’s plenty of intra-creator acrimony to be found in its pages, yet Howe found that the book helped some of those involved to move on from decades-old wounds.

This week Tim talks to Sean Howe about the research, the reaction, and what this book has to say to aspiring creators.